Displaying items by tag: amplifier - StereoLife Magazine

Among the speakers we can distinguish some types made for specific applications, such as center channels, wireless active speakers or subwoofers. Each has its place in a stereo or home theater, but their makers rarely focus on a particular type of speaker. Manufacturers try to satisfy every customer and offer everything, including these very specific products. There are several specialized factories among which subwoofer specialists tend to be the strongest group. REL was founded in 1990 by Richard Edmund Lord.

Audiovector is one of the most recognizable Scandinavian loudspeaker manufacturers with a true legacy and dozens of awards. They participate in all major events, and now intensively develop active wireless speakers. The company has over 22,000 fans on Facebook and keeps up with various technological innovations. If you truly want to discover the philosophy of the company, you have to meet its founder - Ole Klifoth. This friendly man has been running the company for 37 years with the help from his son, Mads. In addition to the audio equipment, he's also interested in Scandinavian and American literature, and in his spare time he listens to jazz, rock and blues in a wooden house, deep in the woods.

PS Audio is an American company, specialising mainly in the production of the high-end power components and accessories. Especially its regenerating power stations enjoy good reputation. They convert energy from the wall socket to the DC, and then rebuild it as an ideal sine wave, thus creating a perfect electricity to supply the best audio devices, which are extremely sensitive to power quality, such as analogue and digital sources or preamplifiers. A few years ago a completely new series of components appeared in the catalogue - things like digital-to-analog converters and phono preamplifiers. Here the Americans focused on modern functionality and sound quality, so that this line has grown to five devices and two extra boards. Some time ago we saw an information about the planned launch of an integrated amplifier equipped with a full DAC, phono stage for MM cartridges, headphoneoutput and Bluetooth connectivity - all in an elegant, modern box and at an extremely attractive price.

In the times of rampant digitization and the pursuit of better sound recording formats, it's important to remind ourselves of solutions that effectively resist being relegated to the past. Sometimes we get the impression that all the modern solutions create an ever greater need to escape to a world in which one can appreciate things such as turntables, vintage hi-fi and of course - tube amplifiers. There are few music lovers who have tried tubes and emerged from this experience without any emotion. This technology offers a unique sound, but on the other hand it is difficult to deny that there is something magical in these devices. Most of them are eye-catching and look beautiful, and if we add the Italian sense of style to this puzzle, we get exactly what Unison Research has been offering for years.

Until recently Denon's catalog centered on devices almost exclusively dedicated to usage in stereo and home cinema systems - amplifiers, players, streamers and micro-systems. The offering was supplemented with accessories and a wide range of headphones, very interesting headphones, we have to say. However the increasing trend pushing many sectors towards mobile devices caused also a change in the catalogue of this Japanese company, causing an avalanche of propositions with different purpose. So last year we saw a few novelties, like the CEOL series of systems, the Envaya speaker looking like a lady's purse, the elegantly sleek soundbar DHT-T110 or the HEOS wireless speakers. But Denon seems not to be stopping there, as they recently presented their first DAC/headphone amplifier. This device is not only small, but also looks splendidly placed on a desktop.

Marantz is a company which managed to successfully penetrate the area of home cinema, receivers and modern streamers while preserving audiophile roots and an aura of exclusivity at the same time. It seems that they've found a recipe how to balance between the world of modern technologies and this what is proved, classic and desired by the lovers of high-quality sound. If you are interested in the gear from previous ages, and if you like internet profiles with vintage audio, you have surely seen loads of Marantz's equipment there - beautiful amplifiers, tuners with backlit scales and oscilloscopes, CD players with massive trays and advanced optics, all in metal, wood and glass. No wonder that in times of omnipresent plastic a retro fashion came back, bringing stereo equipment to where it should be.

Some time ago we were contacted by the Auris Audio company, after we saw their products at this year's High End show in Munich. These unknown tube amplifiers from Serbia accompanied by small Boenicke Audio showed such an addictive sound, that we were very enthusiastic about having a chance to listen to these devices more closely. It was unusual situation and the surprise is all the greater, because this fresh company presented several other products - preamplifiers, integrated amplifiers, power amplifiers and even a couple of DACs and headphone amplifiers. We could have expected that at least dozens of distributors will be willing to promote this brand in their countries. Indeed Auris Audio aroused so much interest that we had to wait a few months for the first amplifier for the review.

In our reviews we often describe the latest products of well-known brands, and so they are eye-catching devices, regardless of their functionality and price range. This time we decided to test something very rare - a tube headphone amplifier made in Greece. Although Lab12 is quite successful and presents its products at international exhibitions, the company is pretty much unknown in the audiophile world. On the web there were just a few coverages, and one review written by Matej Isak from the Mono and Stereo magazine with whom we collaborate. The company is situated in Athens, and beyond the home market its products are distributed in four European countries. They are Hungary, Norway, Switzerland and Poland. In the catalogue we find a power cord and five boxes for different uses - preamplifier, DAC, power amplifier, headphone amplifier and a passive preamp with source selector. All combine classic design and valves - even the DAC output stage is built around the tubes.

The largest exhibition of audio equipment in Europe is behind us so we are getting back to normal operation. Before this happens, we wrote a small summary of the whole event. The form of our reports is forced by the size of the exhibition. Even before exploring the MOC halls we came to the conclusion that it's impossible to see it all, but we tried nevertheless. We could of course focus on ten, twenty or thirty rooms with the most anticipated new stuff or just the most expensive equipment, but what kind of report would it be, if you have hundreds or thousands of companies and you only pick a few dozens? So we hope that our gallery at least allows you to catch the climate of High End and see some interesting devices. For now all the photos have been posted, also on our profile on Instagram. If you are interested in our impressions of the exhibition, if you were out there somewhere or you want to go to Munich next year, we hope it would be an interesting lecture.

Some audiophiles claim that one of the fundamental principles when selecting hi-fi equipment is simple - if you are going to buy a speaker, amplifiers or cable, check out how big is the factory where it's built - the bigger it is, the better the equipment. I honestly don't know where this comes from, because Bentley has a much smaller plant than Toyota or Nissan, but I would rather drive a Continental GT instead of an Auris or Juke. Smaller, highly specialized factories are able to chase or even outrun big corporations. Some say this may happen with speakers or tube amplifiers - stuff that doesn't need innovative thinking, but when it comes to streamers or digital amplifiers, large manufacturers will always be ahead. But is that necessarily the case?