Enerr Transcenda Ultimate

I have long got bored by the discussions on whether or not the power cords actually work. Maybe it's because, unlike some of their participants, I have experienced all or almost all the stages of this adventure. Just like many audiophiles, I have started as a skeptic. It cannot be done in any other way, since one gains expertise in this field through time-consuming experiments and listening sessions, not sudden enlightenment or the purchase of the most expensive accessories on the market. To hear the difference, one has to reach for hi-end products. Buying a cord that is more expensive than the appliance it's connected to seems ridiculous, yet, the system does not sound the same way it used to, and the thought of improving the sound returns like a boomerang. Over the years, I have tested many cables and conditioners. I have participated in many listening sessions and different sorts of experiments. I have compared standard 'computer' cables to hi-end wires worth thousands of dollars. That is why I am not particularly interested in purely theoretical discussions. Been there, done that, have a t-shirt. I prefer to check power accessories in practice. And that is what I'm going to…

Tellurium Q Blue II

It has been a while since I had a brush with Tellurium Q products, however, I regularly receive questions from audiophiles who ask which of their cables will be the most suitable with this or another system. I even get the impression that some music lovers try to solve this puzzle in the worst possible way - not based on the listening but rather the reviews, users' comments, and comparing weird figures found online. Yet, they are still convinced that they should buy Tellurium Q cables. They just wonder whether they should choose Blue, Black, Black Diamond, or Ultra Silver series, even though there are lots of other very interesting cables on the market. Why these, then?

Pylon Audio Ruby Monitor

We became interested in the products made by a Polish company, Pylon Audio, when it had just started being successful and their loudspeakers - Topaz and Pearl - gained recognition. Then, other products followed, such as Sapphire, Diamond, and Opal. Not to mention the floorstanding loudspeakers manufactured for Unitra or Audio Physics's Classic series, both using cabinets made by Pylon Audio in Jarocin - a city in which, in the 80s, the biggest rock music festival in Europe used to be organized. Testing their products was always a chance to catch up on Pylon's latest achievements. It seemed as if the company had been, step-by-step, checking off the next points on their earlier prepared plan. Launching a new series of speakers, adding glossy lacquers, entering international markets, designing their own mid-bass speakers, establishing collaboration with the award-winning partners, awards, exhibitions, honours, expanding wood veneer palette, extending the factory… Every now and then a thought comes to my mind that reportage about the Pylon factory would be something worth making, yet every time one problem arises - such article would have to be often updated, since in one year the situation may change so dramatically that a huge part of knowledge…

Auris Audio Fortissimo

Watching the development of companies representing the audio industry can be very interesting. With time, you can make predictions of certain trends, and after many years check whether they turned out to be true. Today's review is not just another description of an interesting product, but also the continuation of my adventure with Auris Audio, which four years ago provided us with one of the first amplifiers in their history - the Adagio 300B. We didn't expect it to be perfect, but in many ways it was. Considering that the company was founded just a year earlier, it was hard to believe. This elegant and very refined amplifier using famous directly heated triodes wasn't made by accident. In the following years, the Serbian company proved it wants to continue making hi-end gear for true audiophiles, or even go a bit further. The latest Fortissimo integrated amplifier is a good case in point.

Klipsch Heresy III 70th Anniversary Edition

We live in strange times when people often throw away old stuff to buy something new, not always better. Everything gets replaced faster and faster, sometimes just for the sake of making small changes in our lives. Not surprisingly, some people are not taking part in this process anymore. Instead, they started looking for true quality in products that have been manufactured long ago. The only trouble is, these things are not easy to find.

Chartwell LS6

British monitors gained an exceptional appreciation in the audiophile world. Many manufacturers of such sets have rich and interesting history, often intertwined with famous recording studios. Even today, in the offer of PMC or ATC there is a sharp line dividing the consumer and professional segment. Obviously, every manufacturer dealing with professional equipment likes to boast about it everywhere, but it is also fair to say that many British companies have the right to do so. Among many institutions, one has become the real breeding ground of speaker talents - the British Broadcasting Corporation. Boxes originally developed for the BBC have 'that something' - the sound which is difficult to replicate even today. Most of the engineers have abandoned the old way of building the speakers, but a few companies are still faithful to those proven solutions. Graham Audio is one of them.

Meze 99 Neo

Meze is a rarity in the world of headphones and all audio equipment. It's unique that a small company focused on one type of product has gained so much attention, in just a few years. Okay, maybe it's not on a par with the biggest players like Sennheiser, AKG or Beyerdynamic yet, but probably this is not the point here. Factory located in the town of Baia Mare in Romania started from making simple, but nice headphones with ear cups made of natural wood. Is it just an interesting idea that hasn't been supported by any other success? Well, not exactly. The founder of the brand, Antonio Meze, had to think about everything in all its detail because today his company can be an example for other manufacturers.

Eryk S Concept Red King Premium

Companies making audio equipment can be divided into those big ones, which produce relatively considerable amounts of generally likeable equipment and smaller ones - usually very specialized workshops whose products are often more original, distinctive and individual. Those smaller factories are the ones who create advanced amplifiers in individualized enclosures, speakers using extraordinary drivers or turntables shaped like works of art. Inventions like that are made for the music enthusiasts and connoisseurs. They are not mass-produced in giant factories. These items are made for those who generally appreciate such a sophisticated equipment, and sometimes they are personalized just for one client, who ordered speakers in a specific colour or with some modifications applied just in this one instance. Eryk S Concept is one of these manufacturers. Here, every device is unconventional, and almost every element of an amplifier or speaker deserves our attention. Is the new Red King Premium going to sound as well as it looks?

Xavian Ambra

Whenever I hear about the possibility of reviewing Xavian speakers, I'm already enthusiastic. These speakers are designed to stand out from the mass-produced crowd, but this is not the end of the story. As almost every review begins with the company's history, this time I'll skip the story about a charismatic audiophile who moved to Czech Republic from Italy for his wife, hired talented carpenters and so on... One can just visit Xavian's official website or take a closer look at its products to realize that we have some seriously specialized activity here. In Xavian's speakers there is no cheap plastic, gimcrack, drivers for half a dollar or wood-like veneer that comes out of the printer. Roberto Barletta doesn't design the speakers that will work with any cheap receiver, and the tuning of each new model takes several years on average. Perhaps that is why every new product and every major change in Xavian's catalogue is a big deal. The introduction of Perla and Orfeo monitor speakers was just such a step change. Now new boxes joined the family.

Audiovector QR1

Audiovector is a company which doesn't need an extra philosophy - what it already has is enough to tell the story. And the story was mainly created by one man - Ole Kliffoth. He is responsible for most of the solutions Audiovector uses in its speakers, including five foundations of corporate technology - ADC (Active Direct Concept), IUC (Individual Upgrade Concept), LCC (Low Compression Concept), SEC (Soundstage Enhancement Concept) and NES (No Energy Storage). In conjunction with other features, they have one job - to make the sound faster, more direct and more dynamic. Audiovector's products are easy to recognize because of the curved side walls, metal panels with drivers and various, sometimes very bold, finishing versions.