Interviews

Digital audio has come a long way in recent years. There was a time when all you needed was a computer, a modest collection of files on a hard drive and a DAC connected over USB. Today, we have music servers, network transports, dedicated operating systems, control apps, streaming services and an entire infrastructure that some audiophiles take just as seriously as their amplifiers or speakers. For a long time, I found myself somewhere between those two worlds. I was eager to try anything that promised a better way to listen to files, seeing it not just as a matter of convenience but as a chance to get around some of the limitations of CD. I extensively modified my PC to make it quiet and efficient, and just about every DAC from a familiar hi-fi brand found its way onto my desk: the Meridian Explorer, Primare DAC30, Hegel HD25, Atoll HD100, iFi Audio iDSD Micro and Marantz HD-DAC1. Back then, this was seen as a harmless eccentricity. For most audiophiles, the only serious source of music was a CD player, but that began to change quickly. Today, streaming is a galaxy of its own, with streamers, servers, dedicated operating systems,…

Perlisten entered the hi-fi market in a way that surprised many - suddenly, yet with clear ambition. Its debut was far from accidental, led by seasoned engineers and managers with decades of experience in transducers, measurement systems, and loudspeaker design. Co-founder and president Dan Roemer brings over 25 years of industry expertise, including work with the NHT research group, MITek Corporation, and projects in the automotive and aerospace sectors. Lars Johansen, with more than 30 years in audio, has contributed to brands like JBL, Harman Kardon, Klipsch, and Jamo, and later served as partner and president of Miller & Kreisel, supplying solutions for recording studios and premium home theatres. Since its formal launch in 2016, Perlisten has aimed to deliver top-tier products, reflected in its pricing. The introduction of the more accessible A-Series marked a shift, opening the brand to a wider audience. Interest continues to grow, yet many enthusiasts remain unaware of the company's origins, the people behind it, and its long-term objectives. This is why I decided to speak with someone who has been with Perlisten from the start and understands every stage of its development - from early concepts and factory selection to launches and subsequent product…

Designing and building audio equipment can be so contagious that entire families get involved. Children raised in the spirit of musical passion often inherit the talent of their parents and relatives. One such case is the Serblin family. When audiophiles hear this name, the first association comes immediately - Franco, the legendary speaker designer. He was the son of a Croatian navy soldier who emigrated with his wife from Istria to Italy. His first recognisable work was so original that it simply had to attract the attention of music lovers. We are, of course, talking about the device known as the Snail Project, consisting of a subwoofer and satellite speakers protruding from it like the eyes of a snail. Three years later, Franco founded Sonus Faber - and here we could write a separate article. After years of creating speakers that became icons of Italian audio, he returned to even more boutique craftsmanship, creating equipment bearing his own name. The second thread of the family history leads to the Serblin & Son brand. And here's a surprise - it's not Franco's son behind it, but his nephew, Fabio. He was already familiar with electronics in the 1980s - he co-created,…

Triangle Electroacoustique is one of the oldest French loudspeaker manufacturers. Although the latest anniversary models, still available for sale, were introduced on the occasion of the company's fortieth birthday, at this point we are already halfway to another round anniversary (Renaud de Vergnette founded Triangle in 1980). We all know the story - the music lover and hi-fi equipment enthusiast thought that the speakers available on the market didn't perform as well as they could, so he set himself the goal of creating speakers delivering a clean, dynamic, and natural sound. Many audiophiles can also point out several elements characteristic of the brand's sets. Paper midrange drivers, horn tweeters, high efficiency, an interesting anti-vibration system with a large spike, and extravagant finishes. I can list these features from memory after reviewing the Comète 40th Anniversary Edition, Magellan Cello 40th, Borea Active BR02 BT or the Capella wireless monitors. However, no single product will tell us about the company's history, philosophy, and plans, so I decided to talk to Elodie Deveau, Triangle's Sales Manager.

Founded in 1998, Amphion has been designing and constructing loudspeakers from the very beginning, distinguished by something that many commercially available designs lack - extremely low sensitivity to imperfections in the acoustics of the listening room. Thanks to well-thought-out technical solutions, the brand's sets can fill any space with high-quality sound, or at least that's what Finnish designers, their foreign representatives, satisfied customers, and installers claim. Not to mention the dozens of musicians and sound engineers who trust Amphion's professional monitors to provide them best results in commercial or home studios and appreciate these monitors for their reliability, transparency, and truthfulness.

Piega is probably Switzerland's most famous loudspeaker manufacturer. Founded in 1986 by Leo Greiner and Kurt Scheuch, the company was initially a typical hobbyist, garage-based manufactory. Kurt concentrated on developing transducers, while Leo took on design matters and the company's finances. At some point, ribbon drivers became Piega's trademark and have remained so to this day. The cheapest models use drivers built with this technology to reproduce high frequencies, while the top-of-the-range speakers also use larger ribbon midrange panels. Because the designers allow them to play backward, the result is unique loudspeakers resembling electrostatic panels, supported by dynamic drivers only in the low frequency range. Piega's flagship designs demonstrate technical capabilities and audiophile splendor hidden under the guise of a minimalist design. During my test of the Coax 711 LTD speakers, their coaxial midrange/tweeter ribbons and aluminum enclosures fascinated me so much that I decided to find out more about them, which led to an interesting conversation with the brand's head of research and development, Roger Kessler.

Audiophiles interested in unconventional loudspeakers often turn their attention to Neat Acoustics - a company founded in 1989 by Bob Surgeoner, who has spent most of his life playing music in a variety of styles, such as blues, rock, jazz, folk, country, and bluegrass. Neat Acoustics has its own recording studio because the professional approach is also the benchmark for the sound of loudspeakers. Music lovers talk a lot about achieving the sound as close as possible to the original, but few equipment manufacturers can actually hear it when designing their gear. Meanwhile, a variety of musical instruments are on hand at the Neat Acoustics factory, including piano, string organ, harp, double bass, synthesizers, and a wide range of electric and acoustic guitars. High-resolution recordings can be played back instantly in the listening room. The speakers themselves are also quite remarkable. They feature various unusual technical solutions, such as speakers working in an isobaric system, cabinets made of glued birch plywood, or supertweeters mounted on the top panel to improve the surround experience.

During one of the few press conferences organized recently as a classic live meeting, not a video chat, I was particularly interested in a presentation of MoFi Electronics - manufacturer of turntables and accessories related to vinyl records playback, which stormed onto the market a few years ago, almost immediately winning many important awards. For many music lovers, this equipment is already well known but the history of its creation and the people responsible for it are not. I quickly concluded that a meeting in the real world is a perfect opportunity to find out all about it. Steve Shade, the representative of the American company, shared many interesting facts with me during a short conversation over coffee. It was not only a story of MoFi Electronics. During this meeting, I felt like I was listening to the latest news from a world that included other well-known brands - Balanced Audio Technology, Spiral Groove, EAR Yoshino, Harmonic Resolution Systems, and Fender. And that was just the beginning.

Dual's beginnings can be traced back to 1900 when brothers Christian and Joseph Steidinger began manufacturing watches and turntable parts. Ten years later, the Gebrüder Steidinger company began manufacturing power supplies to allow turntables to operate using mains electricity. It was not long before Dual started making their turntables. After the war, they became the largest manufacturer of this type of equipment in Europe, employing over 3,000 people in several factories. Later the brand expanded to offer customers complete hi-fi systems with amplifiers, tuners, cassette players, and speakers.

If we asked audiophiles which element of the stereo system is the most important in their opinion, most of them would definitely bet on speakers, an amplifier or a source, or - in some cases- on something like cables, power accessories, or anti-vibration pads. A large group will answer, however, that the room in which all this equipment works has the greatest impact on the final sound result. In a room with poor acoustics, even the most expensive and the most refined equipment will not be able to show even some of its capabilities, while in interiors adapted to listening to music, even inexpensive equipment should do well and give us a lot of pleasure. What to do to find ourselves in the latter group? There are, of course, many simple home methods to improve acoustics, but more and more people are choosing a "real" solution - the assembly of professional acoustic panels. There are many companies on the market offering specialized products for the adaptation of room acoustics - not only listening rooms, but also recording studios, concert and conference halls, offices, hotels, restaurants, and public facilities. One of them is Vicoustic. The Portuguese have long been providing audiophiles,…