Displaying items by tag: amplifier - StereoLife Magazine

Until recently Denon's catalog centered on devices almost exclusively dedicated to usage in stereo and home cinema systems - amplifiers, players, streamers and micro-systems. The offering was supplemented with accessories and a wide range of headphones, very interesting headphones, we have to say. However the increasing trend pushing many sectors towards mobile devices caused also a change in the catalogue of this Japanese company, causing an avalanche of propositions with different purpose. So last year we saw a few novelties, like the CEOL series of systems, the Envaya speaker looking like a lady's purse, the elegantly sleek soundbar DHT-T110 or the HEOS wireless speakers. But Denon seems not to be stopping there, as they recently presented their first DAC/headphone amplifier. This device is not only small, but also looks splendidly placed on a desktop.

Marantz is a company which managed to successfully penetrate the area of home cinema, receivers and modern streamers while preserving audiophile roots and an aura of exclusivity at the same time. It seems that they've found a recipe how to balance between the world of modern technologies and this what is proved, classic and desired by the lovers of high-quality sound. If you are interested in the gear from previous ages, and if you like internet profiles with vintage audio, you have surely seen loads of Marantz's equipment there - beautiful amplifiers, tuners with backlit scales and oscilloscopes, CD players with massive trays and advanced optics, all in metal, wood and glass. No wonder that in times of omnipresent plastic a retro fashion came back, bringing stereo equipment to where it should be.

Some time ago we were contacted by the Auris Audio company, after we saw their products at this year's High End show in Munich. These unknown tube amplifiers from Serbia accompanied by small Boenicke Audio showed such an addictive sound, that we were very enthusiastic about having a chance to listen to these devices more closely. It was unusual situation and the surprise is all the greater, because this fresh company presented several other products - preamplifiers, integrated amplifiers, power amplifiers and even a couple of DACs and headphone amplifiers. We could have expected that at least dozens of distributors will be willing to promote this brand in their countries. Indeed Auris Audio aroused so much interest that we had to wait a few months for the first amplifier for the review.

In our reviews we often describe the latest products of well-known brands, and so they are eye-catching devices, regardless of their functionality and price range. This time we decided to test something very rare - a tube headphone amplifier made in Greece. Although Lab12 is quite successful and presents its products at international exhibitions, the company is pretty much unknown in the audiophile world. On the web there were just a few coverages, and one review written by Matej Isak from the Mono and Stereo magazine with whom we collaborate. The company is situated in Athens, and beyond the home market its products are distributed in four European countries. They are Hungary, Norway, Switzerland and Poland. In the catalogue we find a power cord and five boxes for different uses - preamplifier, DAC, power amplifier, headphone amplifier and a passive preamp with source selector. All combine classic design and valves - even the DAC output stage is built around the tubes.

The largest exhibition of audio equipment in Europe is behind us so we are getting back to normal operation. Before this happens, we wrote a small summary of the whole event. The form of our reports is forced by the size of the exhibition. Even before exploring the MOC halls we came to the conclusion that it's impossible to see it all, but we tried nevertheless. We could of course focus on ten, twenty or thirty rooms with the most anticipated new stuff or just the most expensive equipment, but what kind of report would it be, if you have hundreds or thousands of companies and you only pick a few dozens? So we hope that our gallery at least allows you to catch the climate of High End and see some interesting devices. For now all the photos have been posted, also on our profile on Instagram. If you are interested in our impressions of the exhibition, if you were out there somewhere or you want to go to Munich next year, we hope it would be an interesting lecture.

Some audiophiles claim that one of the fundamental principles when selecting hi-fi equipment is simple - if you are going to buy a speaker, amplifiers or cable, check out how big is the factory where it's built - the bigger it is, the better the equipment. I honestly don't know where this comes from, because Bentley has a much smaller plant than Toyota or Nissan, but I would rather drive a Continental GT instead of an Auris or Juke. Smaller, highly specialized factories are able to chase or even outrun big corporations. Some say this may happen with speakers or tube amplifiers - stuff that doesn't need innovative thinking, but when it comes to streamers or digital amplifiers, large manufacturers will always be ahead. But is that necessarily the case?

Hegel products are minimalistic, but also full of innovative solutions. Their design is always very well thought out. The company was not established by marketing experts, instead Hegel was formed by a group of friends. One of them created the scheme of an amplifier, which pretty much eliminated all the shortcomings of traditional circuitries. In his opinion the major problem is the feedback - the main reason of the sound distortion. He also took into consideration that getting rid of any feedback in fact makes an amplifier weaker and more floaty in terms of sound. The man we are talking about is Bent Holter. His idea turned out to be not bad at all, because he managed to achieve high output power and less distortion at the same time. At some point a big telecommunication company - Telenor - became interested in his project. They paid for further development of this technology in exchange for shares of Holter's new company and what we know today as Hegel was born.

The next edition of one of the biggest events in the electronics industry has been launched. IFA is the largest exhibition of consumer electronics in Europe and probably one of the two or three events of this scale in the world. The huge complex of Messe Berlin has been occupied by hundreds of companies producing almost everything, starting from accessories for mobile phones, and ending on giant TV's, refrigerators and complete home theater systems. Berlin turns into one big electronics store, but there are no sales because everything is fresh and new.