Agnes Obel is a Danish artist currently living in Berlin. In 2010 she presented the first album called "Philharmonics". The title was a bit of a surprise because this music has absolutely nothing in common with a symphony orchestra. Agnes independently wrote the songs and played instrumental parts in them. She also sang, recorded, and produced all the material. Those were extremely intimate compositions with an absolutely minimal number of instruments.
The melancholic mood of the rain outside the window is probably the best time to listen to rock music in British style. So I put on the second EP of a young, five-piece guitar band named Pylo from the picturesque city of Bath into my CD player. The first mini-album, "Bellavue", meant that their music was compared to the works of legends such as Pink Floyd, Radiohead, Sigur Ros, and The Verve. This statement kindles the appetite for a journey through the nooks and crannies of contemporary guitar music.
Meze is a rarity in the world of headphones and all audio equipment. It's unique that a small company focused on one type of product has gained so much attention, in just a few years. Okay, maybe it's not on a par with the biggest players like Sennheiser, AKG or Beyerdynamic yet, but probably this is not the point here. Factory located in the town of Baia Mare in Romania started from making simple, but nice headphones with ear cups made of natural wood. Is it just an interesting idea that hasn't been supported by any other success? Well, not exactly. The founder of the brand, Antonio Meze, had to think about everything in all its detail because today his company can be an example for other manufacturers.
Fezz Audio is an example of a brand that has kicked-off fairly recently, but the onset of the launch of their very first product, it has already had a considerable baggage of accumulated experience, facilitating a strong, heads-on jump-start. From the very beginning, it seems that the manufacturer has not only embarked upon the right concept when it comes to the design of the device itself, but he has also pointedly targeted an extremely attractive price range. The tube amplifier in question, called Silver Luna, has perfectly blended into the demands of audiophiles, a product trait which we have witnessed only very rarely in recent times. From the outside - it holds the traditional looks of stereo tube amplifier, made available in a range of intriguing color schemes. From the inside - a respectable powerhouse built of components stemming from the companies in-house production. And all of this comes at a price that would, under normal conditions, restrict us solely to a product range comprised of middle-class solid state amplifiers or, possibly, to some Chinese tube amplifiers, of questionable quality at that.
Careful readers of StereoLife should already know the equipment of Encore Seven company, makers of the Egg-Shell Prestige PS5 phono preamplifier. Encore Seven is not only known because of their tube amplifiers, but also other activities connected with music. What emerges from the information on their website is an image of a young, but very dynamic company whose actions aren't limited to the production of audio gear, yet this part is certainly the most important one.
Subwoofers are very specific products. It might seem that the market was dominated by speakers manufactures, but this is not entirely true. Specialized companies often offer much more interesting, more powerful subwoofers than those which can be found in catalogues with common speakers. What do we want when choosing a subwoofer? Obviously - it has to be big, powerful and able to bring out frequencies which will significantly extend the capabilities of our stereo or home cinema system. And that's what XTZ SUB 12.17 is.
5.5-watt tube amplifier made by a young, little-known company? It doesn't sound like a recipe for success, does it? But when we saw this amp, we knew we have to review it. Block is a product of G Lab Design Fidelity company, whose aim was to design a tube amp for the 21st century. The device looks spectacular, but is simple in its form, which - according to the manufacturer - is also reflected in its internal structure. Maybe the company is young, but obviously people with experience and clear vision stand behind it.
The sector of headphones and products designed to accompany them evolves so quickly as if they were invented yesterday. But in fact it's over a hundred years of history - the history of two loudspeakers connected by a stick designed to wear them over the ears. Sudden development of mobile devices seems to have pushed new possibilities into this invention. With the appearance of cassette decks, CD players, and finally DAPs, we saw a huge demand for headphones and now it has happened again thanks to smartphones and tablets. The looks of headphones became important too and many people started to pay attention to the quality of sound as well. Many new manufacturers found their place on this growing market. One of them is Meze offering outstanding wooden headphones.
Mission, B&W, KEF, Castle, Celestion, Rogers, NAD, Acoustic Energy, Naim, Spendor, Harbeth or ProAc are only a few companies whose names all audiophiles should associate with what might be called the British school of sound. Absolutely, this does not mean that the products of all these brands sound the same. You can distinguish here, at least, a couple of trends, but there is no denying that in this part of the world a lot of audiophile legends were created. Recently, another British company reminded us about itself. So far Chord Electronics were mainly engaged in hi-end gear for home use, but thanks to a small, functional headphone DAC everyone heard about it. This DAC was of course the Hugo. Hugo TT is its bigger brother - a typical desktop model, with an expanded functionality. Since we didn't have a chance to review any of them, we took both and decided to compare them.
Ingenium is the most basic turntable in AVID's offer. This statement could either start this introduction or end it. However, despite it's true, it may also mislead readers who haven't been interested in analogue technology so far, or to whom the name AVID says very little. Why? When we talk about the base model, it is commonly associated with devices built down to a tight budget, and have been literally stripped of everything that could raise the production costs. Speaking about turntables, there are many models costing only two hundred dollars, but this comes at an expense of both sound and the quality of materials used to build such a turntable. In AVID's case, it is different because in the brand's catalogue there are no cheap models looking like a board with a platter and a miniature electric engine. The concept of "the cheapest AVID" thus carries the same message as "the cheapest Bentley" and is quite positive in its meaning.