Displaying items by tag: review - StereoLife Magazine

Ingenium is the most basic turntable in AVID's offer. This statement could either start this introduction or end it. However, despite it's true, it may also mislead readers who haven't been interested in analogue technology so far, or to whom the name AVID says very little. Why? When we talk about the base model, it is commonly associated with devices built down to a tight budget, and have been literally stripped of everything that could raise the production costs. Speaking about turntables, there are many models costing only two hundred dollars, but this comes at an expense of both sound and the quality of materials used to build such a turntable. In AVID's case, it is different because in the brand's catalogue there are no cheap models looking like a board with a platter and a miniature electric engine. The concept of "the cheapest AVID" thus carries the same message as "the cheapest Bentley" and is quite positive in its meaning.

When the D/A converters conquered the market, some saw it only as evolutionary dead end. For traditionalists, a DAC could only be a part of a CD player. However, people who ten years ago saw the future in combining the hi-fi with music files stored on a computer, were also not convinced that DACs are a final solution. Some time later, the servers playing music from built-in hard drive or external memory sticks were born, and then the first streamers appeared. Today, the situation is quite predictable. DACs are on the rise - they are better, bigger and more advanced. Hegel is one of the companies that knows the world of DACs very well. The Norwegians produced them when the market was not so big, and since then they have been constantly developing their products in this segment. I had a chance to review most of them - the HD2, HD11, HD 12, HD20 and HD25. Now the company has decided to reach even further with the new flagship model - the HD30.

Encore Seven is a typical example of creating and building the brand completely from scratch. The passion, knowledge, experience, and willingness to act were the fundamentals here. In these few words, you can describe the genesis of this manufacture, but we should go back in time 25 years to start the story from the very beginning. As Encore Seven's founders say, the best way to get something good back then was to build it yourself. As teenagers wishing to play the electric guitar, they needed an amplifier, so they used some components from tube receivers and their first amps were created. The owner of the company assured me that, already at this point, his brother came up with the Egg-Shell name and logo, because he dealt with the design of amplifiers for their own needs. In the subsequent years, the passion moved to stereo systems for listening to music at home. Finally, five years ago they started designing new amplifiers and began regular production.

The mere mention of the Sonus Faber's name immediately attracts attention, and not without reason. This is one of the most recognized manufacturers of high-end speakers and - at the same time - one of the first major companies that have decided to go beyond the audio market and turn tu artists, architects, even people from the fashion world. Surely it would not be so successful if the Italian speakers were just ordinary, angular boxes with drivers. For many years, Sonus Faber has been setting standards and creating fashion copied by others. Sleek lines described by the designers as the 'shape of the lute' inspired many other designers, but the performance was difficult to forge. Italians remain faithful to natural materials and rely on everything that is beautiful, exclusive and - what can I say - expensive. In addition, they show photographs illustrating different stages of production, from covering the leather, polishing wooden boards to grinding metal decorative elements. They do not launch new models during the exhibitions, but rather in amphitheaters. Their speakers can be found not only in music lovers' homes but also in museums and art galleries, as well as in exclusive cars like Pagani Huayra.

Bryston is a Canadian company based in Peterborough, Ontario. It dedicated the last 35 years to the design and production of modern electronic equipment intended for both individual customers and professional studios. The common denominator of all the projects is high quality and legendary reliability. Bryston ensures that its engineers are not constrained in their work by costs of particular components. The company enables them to create devices which are almost perfect and to maximize their reliability. That is why every component is tested and installed separately, each wire is cut and bent manually, each connection is soldered by hand. Every product is tested before delivery, it must work at least 100 hours in the factory. If any errors are captured, the device returns to the assembly station and is checked and tested again. No wonder Bryston gives a 20-year warranty for analogue equipment and 5-year for digital devices.

Sennheiser's world of headphones is actually 70 years of chasing the white rabbit. The story of headsets bearing this logo - the name of the brand's founder - started for good in 1968, when the world's first open-back headphones, HD 414, revolutionized the market. By the end of 1969, over a hundred thousand pairs of them were sold, and more than ten million unto this day. The introduction of unipolar electrostatic headphones in 1977 was the next milestone for the German engineers. I am speaking about the 2000 model, which in some ways was the ancestor of one of the best headsets in the world - the Orpheus HE 90/HEV 90 electrostatic headphones, presented in 1991. As regards the equipment for home and personal use, the company has focused on designer Momentum series and lifestyle Urbanite headphones, introducing new wireless and in-ear products from time to time.

OPPO's equipment is very interesting although the brand has a relatively brief history. The company hasn't started neither from headphones nor from audio devices. Instead it's an example of a modern company with a purely technological profile, focused on consumer electronics. Its headquarters is located in Mountain View, California, so practically in the heart of Silicon Valley. This is shown not only by its products, but also by the entire background, organized in a flawless manner, typical for really large, wealthy corporations. If you take a moment to look through the company's website, its Facebook page or Instagram profile, you will immediately understand that this is definitely not another garage manufacture, which was more successful than anyone could have imagined. Here, it seems that everything has been well planned and calculated.

Gradient is a company which may not have the widest offer and isn't trying to fight for the title of the largest speaker manufacturer in the world, but offers some of the most interesting models on the market. Moreover, there are no exceptions to this rule - each set from Finnish factory is something special, unique, and sometimes even a little odd. In the entire history of the brand there wasn't a single moment when someone decided to design just an ordinary speaker with ported MDF enclosure, several dynamic drivers, all without any frills. Gradient is always a guarantee of original, interesting vision. In the current offer we have Evidence floorstanding speakers, entirely covered with a grille, Revolution dipole sets with a triangular mid-high module and Helsinki 1.5, which are totally crazy. At a glance you know that these are not standard speakers. However, a person who thinks that Finnish designers create these sets under the influence of strong drugs, and their sole purpose is to draw attention at the exhibitions, is completely wrong. All these inventions have a strong theoretical and practical background, and the fact that the company has existed since 1984 confirms the effectiveness of their actions.

I wonder how long the hunger for headphones will last? Looking at the rapid development of this segment of the audio market from a consumer's perspective we can only enjoy it. Competition is increasing and manufacturers have to to really try if they want to get the attention of a potential customer. We must admit that headphones are a convenient solution for people who want to enjoy music at the highest level, but don't have the conditions for a classic home set. Or they demand mobility, which is very likely due to the parallel development of portable DAP players. Price is yet another factor. Headphones and dedicated amplifier costs a few thousand euros, but it can give better sound performance than a set of speakers and classic amplifier at the same price.

The name Lumin should be familiar for audiophiles and music lovers. While the company started its business not so long ago (the first product was launched in 2012), it quickly gained the worldwide brand recognition. The beginnings of Lumin were controversial because the first streamer was very similar to another product in this category, manufactured by Linn. However, it soon became clear that despite some external similarities, Lumin is a completely different device in terms of sound and its possibilities. From the very beginning Lumin's streamer had the ability to play DSD files and music from USB drives connected directly to it. These options weren't offered by the competition.