Reviews

Audiophiles rarely agree with one another. They even divide their community into various groups that are sometimes incomprehensible even to their members. The same kind of sound can be a true discovery for some people and a complete failure to others. Examples of such situations can be multiplied indefinitely. Therefore we found it quite strange and unique that everyone seemed to speak one voice about one of last year's exhibition at Audio Show in Warsaw. Especially remarkable that show's visitors emphasized the sonic excellence of loudspeakers made by so little known manufacturer from Poland. The name of the main company is Audiothlon but it has two brands under its wings. Historically the first one was Enerr, making power cables, conditioners and accessories. The second brand is Equilibrium making speaker and interconnect cables, and whole loudspeakers. While the cables are fairly well known and have been reviewed a couple of times, speakers evolved rather quickly. We couldn't wait to see them in the final form. The Ether Ceramique is the pinnacle among the speakers designed to fit normal and smaller listening rooms.

France is known not only for automobiles, excellent cuisine, high fashion and jammed streets of Paris. It is also one of the most important countries on the audiophile map of the world. It's the birthplace of brands such as Triangle, Lavardin, Lecontoure, Atoll, Devialet, Cabasse, Micromega, YBA, Fadel Art or Jadis. However, one of the most meaningful companies in the area of the speakers and accessories is Focal. And we are not talking only about the French, but worldwide market. Now this company, which a few years ago was known as JMLab, has several production centres. Collectively they occupy an area comparable to small refinery.

Marantz is a company which managed to successfully penetrate the area of home cinema, receivers and modern streamers while preserving audiophile roots and an aura of exclusivity at the same time. It seems that they've found a recipe how to balance between the world of modern technologies and this what is proved, classic and desired by the lovers of high-quality sound. If you are interested in the gear from previous ages, and if you like internet profiles with vintage audio, you have surely seen loads of Marantz's equipment there - beautiful amplifiers, tuners with backlit scales and oscilloscopes, CD players with massive trays and advanced optics, all in metal, wood and glass. No wonder that in times of omnipresent plastic a retro fashion came back, bringing stereo equipment to where it should be.

Some time ago we were contacted by the Auris Audio company, after we saw their products at this year's High End show in Munich. These unknown tube amplifiers from Serbia accompanied by small Boenicke Audio showed such an addictive sound, that we were very enthusiastic about having a chance to listen to these devices more closely. It was unusual situation and the surprise is all the greater, because this fresh company presented several other products - preamplifiers, integrated amplifiers, power amplifiers and even a couple of DACs and headphone amplifiers. We could have expected that at least dozens of distributors will be willing to promote this brand in their countries. Indeed Auris Audio aroused so much interest that we had to wait a few months for the first amplifier for the review.

Acoustic Zen is an American company that has never belonged to the group of the most recognized cable manufacturers such as Cardas, Audioquest, Nordost and Tara Labs, but its products are well-perceived by audiophiles because of the sonic qualities and conductors used inside them. The brand was founded by Robert Lee, who previously created Harmonic Technology cables. It's no wonder that the products of both brands combine more than just the name of the founder. There's a similar philosophy and materials, with special regard to the metal of which the conductors are made. Americans were among the first who began to use mono-crystal alloys. Methods of obtaining wires with long crystals are different, but the idea is quite simple - the less microscopic barriers in the conductor, the clearer and less distorted signal.

In our reviews we often describe the latest products of well-known brands, and so they are eye-catching devices, regardless of their functionality and price range. This time we decided to test something very rare - a tube headphone amplifier made in Greece. Although Lab12 is quite successful and presents its products at international exhibitions, the company is pretty much unknown in the audiophile world. On the web there were just a few coverages, and one review written by Matej Isak from the Mono and Stereo magazine with whom we collaborate. The company is situated in Athens, and beyond the home market its products are distributed in four European countries. They are Hungary, Norway, Switzerland and Poland. In the catalogue we find a power cord and five boxes for different uses - preamplifier, DAC, power amplifier, headphone amplifier and a passive preamp with source selector. All combine classic design and valves - even the DAC output stage is built around the tubes.

Hi-end world may seem mysterious and bizarre, but when you understand some mechanisms and taste the close contact with the music, it is not hard to get involved in this hobby. Even cables and power conditioners are of major importance for the owners of hi-end audio systems. However the speakers are the most important element. To climb higher naturally we look for the ones which are more professional and refined. It's hard not to notice that the majority of speakers available on the market look roughly the same. Many manufacturers offer big, three-way speakers with four classic drivers, high gloss finish and leather, metal or glass accents. Woofers can be placed on the front, on the sides or on the bottom of the enclosure. Treble can come from a dome, ribbon or other stuff and so on, but the problem is that most speakers apply ventilated enclosures, which is too boring and obvious for many audiophiles. Instead, you can choose the electrostatics and magnetostatics, but it requires a lot of courage to make sacrifices in interior design. It may turn out that the best place for them is right in the center of the listening room. Additionally there is a…

Harmonix it is a brand owned by a Japanese concern named Combak Corporation, under the aegis of which many types of audio devices and many various accessories are made. The company is responsible for high-end Reimyo electronics, Bravo monitors, Enacom filters and a whole bunch of gadgets. In the catalogue one can find many different kinds of cable insulators, anti-vibrational platforms and feet, tapes improving the sound of cables, turntable mats and even special rings boosting the acoustics of the listening room. Prices which unambiguously suggest that Japanese accessories are designed for advanced in their disease audiophiles add piquancy to the matter.

Have you noticed that founders of companies producing audiophile equipment are often educated in a completely different direction? Some are electrical engineers or professional sound engineers, but a racing driver brought Naim devices to life, a sociologist founded Enerr company, and a clarinetist is responsible for Musical Fidelity brand. Theoretically anyone can set up a factory of audiophile cables. The only question is whether it will function properly. Buying plugs and wires from external suppliers, linking them together and decorating with your own emblems is something completely different than actual production of cables from scratch. That is how the Albedo works - a company founded by Grzegorz Gierszewski, who was trained as a goldsmith. Of course his cables aren't made from silver rings, but silver is a conductor material used in all models.

Many manufacturers of audiophile devices occupy a specific area of the market and introduce new constructions, designed to catch the attention of people listening to silver cables. However, there are some companies able to make their way in the world not only for audio freaks, but for other people as well. Sonus Faber is certainly one of them. This brand needs no introduction for audiophiles, but people interested in design, art and even motoring may also know it, because it is responsible for the Pagani Huayra car audio system. Its speakers can be seen not only in stores with amplifiers, but also in museums and art galleries. It is not surprising because the Italian designers treat their sets as works of art. Uncompromising approach to design coupled with a respect for tradition and modern technical solutions is particularly visible in the most expensive loudspeakers. That is why the set of Olympica III arrived to our office. This is the top model from the series named after the Olympic Theater located in the city of Vicenza.