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Pro-Ject's smallest components have always had a practical mission - to add a specific hi-fi function without forcing the user to rebuild the whole system around it. The Stream Box E follows that logic in the streaming era. It is an entry-level multi-room streamer and preamplifier designed to bring network playback, app control, wireless multi-room functions and analog integration to existing amplifiers, power amps or active speakers, all in a compact metal enclosure. The Stream Box E continues Pro-Ject's long-running Micro Hi-Fi tradition, which began in the 1990s with compact components intended to deliver proper hi-fi performance without the size, complexity or cost of full-width equipment. In this case, the idea is not to create another large streamer for an already elaborate system, but to offer a small and affordable device that can modernize an older amplifier, form the control center of a minimalist setup or add streaming functionality to active loudspeakers.

Cambridge Audio is expanding its Evo series, a range of all-in-one systems designed for listeners who want a real hi-fi setup without building a traditional stack of separate components. This approach has become one of the most interesting directions in modern home audio. More people now listen through streaming services, connect their systems to a TV, sometimes return to vinyl, and still want to keep passive loudspeakers and full-scale stereo sound. From the beginning, Evo was created for exactly that kind of user - connect speakers, configure the network, and use a single device that combines an amplifier, streamer, DAC, and a broad range of inputs. Now the British manufacturer is taking the concept further with the Evo 300, the most powerful and most advanced streaming amplifier in the history of the series.

Yamaha has introduced two new AV receivers, the RX500A and RX300A, designed to serve as modern hubs for home entertainment - from cinema and music to gaming. The manufacturer is clearly targeting users who want to build a system around conventional loudspeakers and an AV receiver, but also expect the convenience associated with modern TVs, consoles and streaming devices. The RX500A is a 7.2-channel design, while the RX300A is a 5.2-channel model, but both support Dolby Atmos, four HDMI inputs compatible with current video and gaming standards, Bluetooth Multipoint and automatic room correction. These are not AV receivers designed only for home cinema in the traditional sense, but rather versatile control units intended to bring films, series, sport, games and everyday music listening together in one relatively easy-to-use system.

Harman Kardon has refreshed one of the most recognizable products in its catalog. The SoundSticks 5 Wi-Fi is a new version of the transparent speaker system that, for many years, was associated mainly with computers, desktops and its distinctive, almost sculptural form. This time, however, the emphasis shifts clearly toward a modern wireless system for everyday music listening. The transparent subwoofer and slim satellite speakers remain, but they are now joined by Wi-Fi connectivity, support for popular streaming platforms, Bluetooth 6.0, app-based control and lighting effects that react to the music. The SoundSticks 5 Wi-Fi is therefore not just another variation of a familiar design. It is an attempt to adapt this idea to the way music is used at home today - without signal cables, without a traditional source and, in most cases, without the need to connect anything apart from power.

Moon is expanding its Compass Collection with two new components that clearly move the series closer to technologies previously associated with the brand's higher-end reference designs. After the 371, a complete streaming amplifier, the company is now introducing a classic two-box system made up of the 491 network player and preamplifier, and the 461 power amplifier. It is an interesting move, because the Compass Collection was originally positioned as a more accessible, compact and practical answer to the flagship North Collection, but it is now becoming clear that the idea is not simply to simplify the range. The new components are designed to bring some of Moon's more advanced technologies into a more traditional two-unit system, where one device handles sources, digital-to-analog conversion, volume control, vinyl playback and headphones, while the other takes care of driving the loudspeakers.

Advance Paris has introduced the Nova series, a new flagship platform of hybrid integrated amplifiers designed to function as complete control centers for modern stereo systems while preserving the company's established tube-assisted analog architecture. Positioned above the Classic and Apex ranges in the manufacturer's lineup, the Nova platform represents Advance Paris's most ambitious integrated amplifier concept to date. The series includes two amplifiers - the A-i130 and A-i190 - together with optional streaming and Bluetooth expansion modules and a dedicated rotary remote controller. First previewed at High End Munich 2025, the lineup is scheduled to make its North American debut at AXPONA 2026, with global availability expected from May 2026.

In 1997, Radiohead released their album OK Computer. It was a record that not only startled the band's loyal followers but also anyone who happened to hear it. It explored themes of technology, alienation, and social unrest in a rapidly shifting world, and it's often read as a darkly prophetic commentary on the dehumanizing influence of the digital age - a message that, almost thirty years later, still feels unnervingly precise. The lyrics, often delivered in a weary, detached voice, paint a grim, inevitable future where people lose themselves in virtual realities. They trace the moment when tools meant to serve us quietly begin to own us, turning convenience into dependence. The album became legendary for its unorthodox production and haunting, atmospheric sound, both of which heightened its sense of unease and disorientation.

Primare has unveiled its new all-in-one audio system, the Allt-i-Ett - a complete high-end solution combining a network player, amplifier and loudspeakers within a single elegant enclosure. Designed to deliver premium performance with Scandinavian simplicity, the Allt-i-Ett embodies the Swedish manufacturer's minimalist approach to audio engineering. Its name, meaning 'all-in-one' in Swedish, reflects both the concept and the company's philosophy of bringing outstanding sound quality to as many listeners as possible, without the need for multiple components. At its core, the Allt-i-Ett delivers a powerful 300-watt peak output supported by advanced digital signal processing and a versatile range of connection options. The system is designed for both convenience and fidelity, offering easy integration into any modern living space. It caters equally to those who want a refined, plug-and-play system and to experienced audiophiles seeking a high-performance secondary setup.

In Norse mythology, Thor is known as the god of thunder, lightning, marriage, vitality, agriculture, and the home hearth. He was said to be more sympathetic to humans than his father, Odin, though equally violent. He traveled in a chariot harnessed to goats, Tanngrisnir and Tanngnjóstr. Furthermore, he was usually depicted as a mighty man with a red beard and three key attributes - a belt doubling his power, iron gauntlets, and a great battle hammer called Mjolnir (Mjølner). Whenever Thor hurled his hammer, it would unfailingly come back to him, crushing the target of his master's attack ("Mjøl" in modern Norwegian literally means "flour" or "powder," so "Mjølner" can be understood as "a tool for grinding to powder"). The impact of this unusual weapon was to be accompanied by lightning. How valuable this hammer was to Thor can be seen in the song telling the story of what he went to when a giant named Thrym stole Mjolnir, demanding the hand of the goddess Freya for its return. According to this legend, Thor, at the instigation of Heimdall, the guardian of Asgard, was to disguise himself as Freya, shielding himself with a veil. Thinking that the plan had succeeded, Thrym and his companions held a wedding, during which the rightful owner of Mjolnir seems to have forgotten his mission for a while and got carried away by his emotions. He ate eight salmon and an ox, which caused concern among the giants, but Loki explained the phenomenon by saying that the "bride" had not eaten for a week in anticipation of her nuptials with Thrym. At the end of the feast, when, according to tradition, Mjolnir was laid in the bosom of "Freya" to seal the marriage, Thor grabbed his hammer and slaughtered the giants. Not surprisingly, Mjolnir became the most popular symbol used by Scandinavians not only in the Middle Ages but even today, if only in coats of arms and emblems. And what does this have to do with the H600? Let me explain...

Naim unveils Uniti Nova Power Edition, an all-in-one player that drives Hi-Fi loudspeakers with power and musical resonance Uniti Nova Power Edition is the new all-in-one player from Naim, the British brand that excels in the creation of high-end Hi-Fi systems. With 150 W of power, this high-resolution audio player and stereo amplifier is the ideal all-round solution to combine with a pair of powerful, Hi-Fi loudspeakers. It complements Naim's Uniti range, which is hailed worldwide as the range that includes the best all-in-one players on the market.