Acoustic Zen is an American company that has never belonged to the group of the most recognized cable manufacturers such as Cardas, Audioquest, Nordost and Tara Labs, but its products are well-perceived by audiophiles because of the sonic qualities and conductors used inside them. The brand was founded by Robert Lee, who previously created Harmonic Technology cables. It's no wonder that the products of both brands combine more than just the name of the founder. There's a similar philosophy and materials, with special regard to the metal of which the conductors are made. Americans were among the first who began to use mono-crystal alloys. Methods of obtaining wires with long crystals are different, but the idea is quite simple - the less microscopic barriers in the conductor, the clearer and less distorted signal.

In our reviews we often describe the latest products of well-known brands, and so they are eye-catching devices, regardless of their functionality and price range. This time we decided to test something very rare - a tube headphone amplifier made in Greece. Although Lab12 is quite successful and presents its products at international exhibitions, the company is pretty much unknown in the audiophile world. On the web there were just a few coverages, and one review written by Matej Isak from the Mono and Stereo magazine with whom we collaborate. The company is situated in Athens, and beyond the home market its products are distributed in four European countries. They are Hungary, Norway, Switzerland and Poland. In the catalogue we find a power cord and five boxes for different uses - preamplifier, DAC, power amplifier, headphone amplifier and a passive preamp with source selector. All combine classic design and valves - even the DAC output stage is built around the tubes.

Hi-end world may seem mysterious and bizarre, but when you understand some mechanisms and taste the close contact with the music, it is not hard to get involved in this hobby. Even cables and power conditioners are of major importance for the owners of hi-end audio systems. However the speakers are the most important element. To climb higher naturally we look for the ones which are more professional and refined. It's hard not to notice that the majority of speakers available on the market look roughly the same. Many manufacturers offer big, three-way speakers with four classic drivers, high gloss finish and leather, metal or glass accents. Woofers can be placed on the front, on the sides or on the bottom of the enclosure. Treble can come from a dome, ribbon or other stuff and so on, but the problem is that most speakers apply ventilated enclosures, which is too boring and obvious for many audiophiles. Instead, you can choose the electrostatics and magnetostatics, but it requires a lot of courage to make sacrifices in interior design. It may turn out that the best place for them is right in the center of the listening room. Additionally there is a need to purchase an amplifier with a very high output power.

Harmonix it is a brand owned by a Japanese concern named Combak Corporation, under the aegis of which many types of audio devices and many various accessories are made. The company is responsible for high-end Reimyo electronics, Bravo monitors, Enacom filters and a whole bunch of gadgets. In the catalogue one can find many different kinds of cable insulators, anti-vibrational platforms and feet, tapes improving the sound of cables, turntable mats and even special rings boosting the acoustics of the listening room. Prices which unambiguously suggest that Japanese accessories are designed for advanced in their disease audiophiles add piquancy to the matter.

Have you noticed that founders of companies producing audiophile equipment are often educated in a completely different direction? Some are electrical engineers or professional sound engineers, but a racing driver brought Naim devices to life, a sociologist founded Enerr company, and a clarinetist is responsible for Musical Fidelity brand. Theoretically anyone can set up a factory of audiophile cables. The only question is whether it will function properly. Buying plugs and wires from external suppliers, linking them together and decorating with your own emblems is something completely different than actual production of cables from scratch. That is how the Albedo works - a company founded by Grzegorz Gierszewski, who was trained as a goldsmith. Of course his cables aren't made from silver rings, but silver is a conductor material used in all models.

Many manufacturers of audiophile devices occupy a specific area of the market and introduce new constructions, designed to catch the attention of people listening to silver cables. However, there are some companies able to make their way in the world not only for audio freaks, but for other people as well. Sonus Faber is certainly one of them. This brand needs no introduction for audiophiles, but people interested in design, art and even motoring may also know it, because it is responsible for the Pagani Huayra car audio system. Its speakers can be seen not only in stores with amplifiers, but also in museums and art galleries. It is not surprising because the Italian designers treat their sets as works of art. Uncompromising approach to design coupled with a respect for tradition and modern technical solutions is particularly visible in the most expensive loudspeakers. That is why the set of Olympica III arrived to our office. This is the top model from the series named after the Olympic Theater located in the city of Vicenza.

The largest exhibition of audio equipment in Europe is behind us so we are getting back to normal operation. Before this happens, we wrote a small summary of the whole event. The form of our reports is forced by the size of the exhibition. Even before exploring the MOC halls we came to the conclusion that it's impossible to see it all, but we tried nevertheless. We could of course focus on ten, twenty or thirty rooms with the most anticipated new stuff or just the most expensive equipment, but what kind of report would it be, if you have hundreds or thousands of companies and you only pick a few dozens? So we hope that our gallery at least allows you to catch the climate of High End and see some interesting devices. For now all the photos have been posted, also on our profile on Instagram. If you are interested in our impressions of the exhibition, if you were out there somewhere or you want to go to Munich next year, we hope it would be an interesting lecture.

In a relatively short time Hegel gained the status of the audiophile brand. It would seem that designing a big amplifier with shiny tubes and bright power meters is the best way to enter the market in such a spectacular way, but it's not the only one. It is hard to deny that many people still buy audio gear with their eyes, and the thickness of the wallet doesn't always go hand in hand with good taste. Norwegian devices have always been extremely modest. Matt fronts with at most two knobs and display do not promise anything revolutionary. But remember that sometimes the inside of device is the most important part.

Some audiophiles claim that one of the fundamental principles when selecting hi-fi equipment is simple - if you are going to buy a speaker, amplifiers or cable, check out how big is the factory where it's built - the bigger it is, the better the equipment. I honestly don't know where this comes from, because Bentley has a much smaller plant than Toyota or Nissan, but I would rather drive a Continental GT instead of an Auris or Juke. Smaller, highly specialized factories are able to chase or even outrun big corporations. Some say this may happen with speakers or tube amplifiers - stuff that doesn't need innovative thinking, but when it comes to streamers or digital amplifiers, large manufacturers will always be ahead. But is that necessarily the case?

Amphion is one of the companies that do not build speakers for anechoic chambers, measurements and purely theoretical situations. Finns know that speakers must work well in normal living rooms, and good cooperation with room space is more important than rhodium plated sockets or compatibility with power amplifier. Their goal is to construct speakers that are not sensitive to the acoustics of the room. This is probably not possible to achieve for one hundred percent, but at least you know that someone is thinking about the speaker-room system, and not just putting audiophile speakers in a nice box.