Reviews

Manufacturers of hi-fi equipment like to brag about their peak performance, but in any company's product lineup, the key role is played by the models that simply sell best. They are the ones that provide funds for further development and indicate what ideas appeal most to customers. Recently, Pylon Audio has been working hard on high-end loudspeakers. Over the past few years, the Polish manufacturer's catalog has included speakers from the Jasper series, including six models, the powerful Amber mkIIs, the old-school Jade 20s, which just got a bigger brother, and the Emeralds 25s. However, diamonds dominate the sales statistics, and I'm not surprised at all. The models in this series offer everything music lovers seek - a discreet and modest design, high-quality craftsmanship, versatile sound, seamless compatibility with a wide range of electronics, a rich variety of color options, and an affordable price. It may not be a piece of equipment that relies on exceptional technical solutions and surprises its owner daily, but it is hard to identify any clear drawbacks. If only we do not save too much on electronics and choose a model that fits the size and acoustics of our listening room, we will get speakers…

If the mainstream media is to be believed, our world is collapsing piece by piece. Paradoxically, with the end of times fast approaching, the market for luxury goods has strengthened, and this includes stereo equipment. Manufacturers of electronic components and loudspeakers are introducing bigger, more powerful versions of flagship models, which just a few years ago they described as their opus magnum, a benchmark that cannot be surpassed. Stereo systems presented at the biggest exhibitions are becoming more expensive every year. The top-of-the-line Tellurium Q cables are a prime example of this. When their second version went on sale about six months ago, I was unable to review them, as they were already scheduled for a "tour", which could not be completed, because every so often the Statement IIs found a new owner. The distributor ordered two more sets, one of which went from dealer to dealer, and the other was sold almost immediately. More sets had to be brought in, and finally, I managed to snatch up an interconnect and speaker cable worth just over €16,500.

Whenever I grumble about the fragmentation of the audio equipment market, which translates into a huge variety of equipment available in stores, but also problems for customers to sort it all out in their heads and make a choice, I get a press release about new speakers, amplifier, or wireless headphones. If only these were brands whose existence I was aware of, whose products caught my eye while browsing magazines or reports from exhibitions, but this is not always the case. Later it turns out that we are not at all dealing with a small factory founded by enthusiastic students, but with a company operating continuously for thirty years, boasting many successes, awards, and, of course, a large group of loyal fans. Such was the case with Lindemann.

Although Poland's most famous loudspeaker manufacturer started with budget speakers, its current catalog is dominated by mid- and high-end designs. The top position is occupied by the beautiful Jaspers, available in both passive and active versions. Then we have three series consisting of a single model - Amber, Jade, and Emerald. The bottom four is made up of the Ruby, Sapphire, Opal, and Pearl series. Right in the middle there's a series that has become a real market hit, combining minimalist design, high-quality workmanship, a rich color palette, and natural, balanced, and universal sound. The Diamonds were Pylon's flagships at the time of their launch. I remember how the bosses of the Jarocin-based manufacturer, still unsure of the rightness of their decision, wondered whether such loudspeakers would appeal to customers. Today, the company could probably produce only this series and would easily balance the books (especially considering that Pylon Audio is not only a manufacturer of equipment sold under its own brand but also a supplier of cabinets for leading foreign brands). However, since there was an opportunity to improve them, it was a shame not to take it. This is how the Diamonds mkII were born. To see what's…

If I didn't know what Fezz Audio and Pylon Audio have in common, I would think they share the same owner. The two brands openly support each other, exhibit together at major industry events, hold joint photo shoots, and have the same distributor in some countries. In reality, however, these companies only share what one would call a path to success. Not easy, bumpy, risky, based on ingenuity, diligence, and young energy drawing on the experience of the older generation. Pylon Audio began as a small carpentry shop making loudspeaker cabinets. Later, it began producing its own loudspeakers, raising the bar pretty much every year. Fezz Audio, on the other hand, is a side project of a family-owned company specializing in manufacturing toroidal transformers, or at least that's how it began. Many experts say that toroids are moderately suitable for tube amplifiers, but the Lachowski brothers had a different opinion on the subject. They developed a transformer that performed brilliantly, and since it was a successful project, they decided to follow suit and build a complete amplifier around such transformers.

Melodika is a Polish brand that has advocated a no-nonsense approach to audio equipment since its inception. The core of its offerings are cables and accessories, and the priority has always been the same - to give music lovers good sound for as little money as possible. When it comes to cabling, I've always associated Melodica with the budget-priced but extremely elaborate Purple Rain series. Signal, speaker, digital, and power cables, as well as splitters, adapters, or plugs - everything is here. I also like the concise descriptions focused on technical issues and parameters. Construction, conductors, cross sections, shielding, resistance, and other facts, rather than reports of sound written in verse and tales of geometry inspired by the concept of yin and yang. Wanting to go a bit further, the company introduced the Brown Sugar series. It currently contains seventeen items, all of which are speaker cables and jumpers. This is quite remarkable, as the idea wasn't born yesterday, and still, we haven't seen a single signal, digital, or power cable in this series. Instead, Melodika decided to show us - yes, you guessed it - another speaker cable. But what a cable it is!

It's not surprising that more and more people are interested in hi-fi equipment that is luxurious, beautiful, and offers excellent performance, but at the same time is as simple to use as a network speaker. Some audiophiles believe that increasing the comfort of our music experience automatically reduces the sound quality. If we have a pile of sources and amplifiers connected with expensive cables, if our living room has been transformed into an anechoic chamber, if before each listening session, we carry out an elaborate procedure of warming up the system while checking the humidity of the air and the voltage in the socket, we deserve great sound, and if we buy easy-to-use active loudspeakers, we don't. Is it true? Manufacturers of audio electronics have already discovered that it can all be simplified. Almost every new all-in-one system is an instant sales hit because all you have to do is add a pair of decent speakers and your home stereo is ready. But what if you could go one step further and eliminate the need to buy any electronics? This mission has already been undertaken by many companies, as the idea itself is not new or revolutionary. However, it has…

Among lovers of audio equipment, there is no shortage of people who believe that the greatest improvement of sound quality can be achieved by replacing cables, buying a power conditioner, or an anti-vibration rack. Sometimes, however, it's worth coming down to earth and reminding ourselves of the basic rules that govern this world. If we want to build a decent stereo system, we should first choose loudspeakers that match the size and sound of our listening room and then select a suitable amplifier and source. Everything else can be taken care of later, choosing cables and accessories to spice up the effect. Unfortunately, many music lovers trying to buy hi-fi equipment stumble at the first stage, ending up with too large speakers or positioning them so as not to disturb the rest of the household rather than achieve a balanced and spacious sound. It's believed that monitors are the optimal solution, especially in smaller rooms, but are they? In many cases, they have to be placed on stands anyway, so they take up as much space as medium-sized floorstanders. And where's the upside? That we won't experience any problems with a booming bass? Perhaps a better solution would be to…

Designers of hi-fi equipment will never cease to amaze me with ideas for the names of their products and brands. We have already seen gear lineups inspired by celestial bodies, mythological characters, precious stones, weather phenomena, and popular drinks. I remember when a friend working in one of the showrooms told me with some disbelief that he would now sell cables called, for example, "Root Beer" or "Vodka." At first, I thought he was screwing me, but it turned out that he was earnest, and now these cables can be found in Audioquest's catalog. Hendry Ramli, the founder of Vermouth Audio, went one step further.

Bowers & Wilkins has long convinced audiophiles that the only way to achieve total listening satisfaction is chasing the original - the sound recorded in the studio. This leads to the obvious conclusion that our home stereo system should be the last element of the chain, which starts with the microphone, and that gaining more at the end means losing less during the whole process. It's hard to argue with that. And while it's a bit pointless to compare home electronics with professional equipment, I appreciate any manufacturer who stays true to this straightforward philosophy. While the idea can be explained in a single sentence, putting it into practice is quite complicated. Transport the sound from the recording studio to the home? But, wait a minute, isn't that what almost all the people involved in this subject have been trying to achieve for 145 years (that's exactly how long it's been since the invention of the phonograph)? Yes, but no one can deny that we have made tremendous progress in this field and are still moving forward.