Displaying items by tag: streamer - StereoLife Magazine

Unison Research has always been associated with vacuum tubes, elegant Italian craftsmanship, and a certain old-school approach to music reproduction. Yet the company has never been particularly interested in treating tradition and technological progress as opposing forces. Its latest creation, the Unico DS, is perhaps the clearest expression of that philosophy to date. This flagship digital source combines a network streamer, CD transport, and sophisticated DAC with a fully balanced, Class A tube output stage. At its heart are an ESS SABRE ES9038Q2M converter, advanced digital signal processing, and a proprietary technology called F.D.F. (Frequency-Dependent Feedback). Rather than producing yet another streamer whose main selling point is a slick smartphone app, Unison Research has set out to build a serious source component for high-end stereo systems. The idea is to bring together the precision, transparency, and dynamic capabilities of modern digital audio with the natural presentation and tonal richness that have long defined the company's tube amplifiers.

There's something rather appealing about a hi-fi system that doesn't demand an entire equipment rack, half a dozen power outlets, and a weekend spent figuring out which cable goes where. Compact all-in-one systems have been part of Marantz's catalog for years, but the Japanese manufacturer has never treated them as little more than glorified mini stereos destined for a bedroom shelf. The Melody X M-CR612 was a perfect example. Despite its modest dimensions, it combined a CD player, radio tuner, HEOS streaming platform, and an unusual four-channel amplifier that could drive two pairs of speakers or operate in a bi-amping configuration. It remained on the market for years, becoming something of a favorite among listeners who wanted proper hi-fi functionality without the usual collection of separate components. Replacing it was never going to be easy. With the new MCR 60n DAB, Marantz has kept the things that made the Melody X so appealing while bringing almost everything else up to date. HDMI eARC, a dedicated phono input, a substantially upgraded streaming platform, and even optional Dirac Live room correction have joined the party. What was already a remarkably versatile little stereo system has become something considerably more ambitious.

Fosi Audio started out making small, affordable amplifiers designed to deliver as much performance as possible for relatively little money, while occupying considerably less space on a desk or shelf than conventional hi-fi equipment. Over time, however, the Chinese company's portfolio has expanded well beyond that original concept. DACs, preamplifiers, monoblocks, headphone amplifiers, and, more recently, loudspeakers and a dedicated music streamer have all joined the lineup. Now, Fosi Audio is attempting to bring these developments together into something that can reasonably be described as a complete audio ecosystem. At its core are four components with similar dimensions and a consistent visual identity: the S3 network streamer, ZD3 digital-to-analog converter, ZH3 headphone amplifier, and PSU20 linear power supply. Each can operate independently, but all four have been designed with the idea that users can gradually assemble a more sophisticated system as their requirements evolve.

One of the awkward realities of network audio is that streaming platforms can age much faster than the hardware built around them. A DAC, analog output stage or power supply may remain perfectly capable for years, while changes in licensing, operating systems and service APIs can leave an otherwise expensive streamer without the latest Connect protocols. HiFi Rose has decided to address that problem with a piece of hardware rather than another firmware update. RW800, also known as Rose Air Lite, is a tiny streaming module designed primarily to add current network functions to existing HiFi Rose components, but it can just as easily leave the Rose ecosystem altogether and operate as an inexpensive standalone streamer in almost any audio system.

Ferrum has spent the last few years building a compact ecosystem around digital conversion, headphone amplification and power management, but one obvious piece has been missing - a network transport of its own. That gap is now filled by Broen, the Polish company's first dedicated streaming product and a natural partner for the Wandla DAC family and Hypsos power supply. The model was previewed at the Audio Video Show in Warsaw and the Paris Audio Video Show in late 2025, but has now reached its final production form. Its name means "bridge" in Danish, which neatly summarizes the concept - Broen is designed as a digital gateway between streaming services, local music libraries and an external DAC rather than another all-in-one streamer with conversion and analog circuitry squeezed into the same chassis.

Pro-Ject's smallest components have always had a practical mission - to add a specific hi-fi function without forcing the user to rebuild the whole system around it. The Stream Box E follows that logic in the streaming era. It is an entry-level multi-room streamer and preamplifier designed to bring network playback, app control, wireless multi-room functions and analog integration to existing amplifiers, power amps or active speakers, all in a compact metal enclosure. The Stream Box E continues Pro-Ject's long-running Micro Hi-Fi tradition, which began in the 1990s with compact components intended to deliver proper hi-fi performance without the size, complexity or cost of full-width equipment. In this case, the idea is not to create another large streamer for an already elaborate system, but to offer a small and affordable device that can modernize an older amplifier, form the control center of a minimalist setup or add streaming functionality to active loudspeakers.

Ruark Audio has introduced two new products that fit neatly into the current move toward hi-fi systems combining several once-separate worlds - physical media, streaming, furniture-like design and a more integrated approach to home audio. The British company, which celebrates its 40th anniversary in 2026, has presented the R710 Music Console and the Talisman-R floorstanding speakers. Together, they form a complete stereo system in which the listener gets amplification, streaming, CD playback, turntable support and a pair of passive speakers designed to match the electronics both technically and visually.

Cambridge Audio is expanding its Evo series, a range of all-in-one systems designed for listeners who want a real hi-fi setup without building a traditional stack of separate components. This approach has become one of the most interesting directions in modern home audio. More people now listen through streaming services, connect their systems to a TV, sometimes return to vinyl, and still want to keep passive loudspeakers and full-scale stereo sound. From the beginning, Evo was created for exactly that kind of user - connect speakers, configure the network, and use a single device that combines an amplifier, streamer, DAC, and a broad range of inputs. Now the British manufacturer is taking the concept further with the Evo 300, the most powerful and most advanced streaming amplifier in the history of the series.

Yamaha has introduced two new AV receivers, the RX500A and RX300A, designed to serve as modern hubs for home entertainment - from cinema and music to gaming. The manufacturer is clearly targeting users who want to build a system around conventional loudspeakers and an AV receiver, but also expect the convenience associated with modern TVs, consoles and streaming devices. The RX500A is a 7.2-channel design, while the RX300A is a 5.2-channel model, but both support Dolby Atmos, four HDMI inputs compatible with current video and gaming standards, Bluetooth Multipoint and automatic room correction. These are not AV receivers designed only for home cinema in the traditional sense, but rather versatile control units intended to bring films, series, sport, games and everyday music listening together in one relatively easy-to-use system.

Moon is expanding its Compass Collection with two new components that clearly move the series closer to technologies previously associated with the brand's higher-end reference designs. After the 371, a complete streaming amplifier, the company is now introducing a classic two-box system made up of the 491 network player and preamplifier, and the 461 power amplifier. It is an interesting move, because the Compass Collection was originally positioned as a more accessible, compact and practical answer to the flagship North Collection, but it is now becoming clear that the idea is not simply to simplify the range. The new components are designed to bring some of Moon's more advanced technologies into a more traditional two-unit system, where one device handles sources, digital-to-analog conversion, volume control, vinyl playback and headphones, while the other takes care of driving the loudspeakers.