Displaying items by tag: phonostage - StereoLife Magazine

Marantz is refreshing the entry point to its traditional hi-fi range with two full-size components - the Model 70 integrated amplifier and the matching CD 70 player. The new duo follows in the footsteps of the popular PM6007 and CD6007, but the transition involves considerably more than a change of model numbers. Both products adopt the visual language previously associated with more expensive Marantz components, while the amplifier gains HDMI ARC, two-way Bluetooth connectivity and a revised amplification section. The CD player, meanwhile, combines conventional disc playback with high-resolution files from USB storage.

Exposure Electronics has introduced the 5510 Pre-Amplifier, a new flagship model designed as the control center of a high-end separates system. In a market increasingly dominated by integrated amplifiers, streaming amplifiers and compact all-in-one components, the dedicated preamplifier remains a very specific proposition. It is aimed at listeners who want to separate signal management from power delivery and build a system in which each part has a clearly defined role. With the 5510, Exposure is returning to that classic hi-fi logic, presenting a component whose task is not to amplify loudspeakers or attract attention with extra functions, but to handle the incoming signal with accuracy, low noise and long-term flexibility before it reaches the power amplifier.

The decision has been made - we are buying a turntable. Everyone around us seems to be talking about the beauty of analog sound, so sooner or later we decide to begin our own vinyl adventure. Common sense may object a little, because what exactly is the point? Records are delicate, they have to be handled with care, and every twenty minutes or so you need to get up and turn the disc over if you want to hear the rest of the album. How does that make any sense in an age when a phone can give us access to millions of tracks, let us skip from one to another with a single tap, or simply keep playing for hours without any effort on our part? Users of streaming services could probably listen until retirement age and still not discover even a small fraction of the music available to them. So who actually needs a turntable?

iFi Audio has refreshed one of its most accessible product families with three new ZEN Air 2 devices, each designed to solve a different and very common problem in everyday music listening. The ZEN Air DAC 2 is a compact digital-to-analog converter with a headphone amplifier, aimed primarily at people who listen from a computer, play games, watch movies or work at a laptop and want a clear upgrade over a standard audio output without building a large system. The ZEN Air Phono 2 is a phono preamplifier for MM and MC cartridges, allowing a turntable to be connected to an amplifier, active speakers or another component that lacks a suitable phono input. The ZEN Air Blue 2 serves a different purpose again. It is a Bluetooth receiver that allows a traditional amplifier, stereo system or pair of active speakers to gain wireless playback from a phone, tablet or computer. Together, the three models form a simple, affordable and compact route to upgrading an existing system without replacing its core components. In other words, iFi is not offering one universal box that tries to do everything, but three specialized tools - one for headphones, one for vinyl and one for Bluetooth streaming - each aimed at one of the most familiar weak points in home audio.

Avid HiFi has introduced the Velsonic, a new reference-level phono preamplifier positioned as the flagship of the company's analog electronics lineup and its first completely new phono stage platform since 2012. Developed and manufactured at Avid's Cambridgeshire facility, the Velsonic replaces both the Pulsare II and Pellere models while carrying forward circuit concepts derived from the company's Reference Pre-Amplifier, signaling a broader refresh of its upper-tier analog architecture. Rather than pursuing a hybrid or digitally assisted topology, the Velsonic follows a strictly analog design philosophy built around a fully dual-mono signal path from input to output. Separate channel layouts are intended to maximize channel separation and reduce crosstalk, while the absence of digital control circuitry reflects Avid's long-standing preference for preserving signal purity in low-level phono applications. According to the manufacturer, particular attention has been paid to minimizing noise throughout the gain structure, an area especially critical in high-resolution MC cartridge systems.

If someone were to say that the headquarters of one of the most interesting and fastest-growing manufacturers of tube amplifiers and hi-fi components was based not in Munich, Glasgow, or Tokyo, but in a tiny village near Białystok, Poland, many audiophiles would probably raise an eyebrow. This is, after all, the heart of Podlasie - a region that Poles themselves tend to see as beautiful, picturesque, and somewhat removed from the country's main industrial centers and, at least in popular jokes, a little behind the curve of modern life. Internet memes reinforce the stereotype - people are supposedly still discovering electricity there, throwing spears at airplanes, and rolling up the asphalt from the roads at night. A quick search brings up images of R2D2 and C3PO turned into a moonshine still, a long sausage wrapped around a cable reel labeled "Podlasie Fiber Optic", and Fred Flintstone's car presented as a local taxi. And yet it is precisely here, among forests, lakes, and open countryside, that a company emerged, first with small, simple, affordable tube amplifiers, and now delivers beautifully engineered, thoughtfully designed, thoroughly modern components to music lovers in more than thirty countries worldwide.

Fezz Audio has refreshed its Evolution series with three updated tube amplifiers - the Titania MK2 integrated amplifier, the Titania Power Amplifier MK2 stereo power amplifier and the Mira Ceti MK2 single-ended Class A design - marking a broader technical step forward rather than a routine generational update. Based in Poland and closely linked to transformer specialist Toroidy, the company has built its reputation on combining traditional tube topologies with modern usability, and the latest MK2 versions clearly continue that approach. All three amplifiers introduce redesigned signal paths, revised driver stages and upgraded operating stability, while sharing a common set of practical improvements including automatic bias control, electronic tube protection systems, optimized warm-up sequences and support for FEBS expansion modules. Together, these changes position the new Evolution models as more mature and more system-flexible successors intended to retain the musical character of classic tube amplifiers while reducing the complexity typically associated with everyday ownership.

In the world of audio equipment, it is not hard to find stories that sound compelling on paper, only to lose their charm the moment they collide with reality. Someone has an interesting idea, solid technical backing, a clear vision, even the right moment to enter the market, and yet after two or three years all that remains are a few mentions in the archives of specialist websites and a handful of products remembered by their owners with a certain fondness, but little real conviction. With Fezz Audio, things were different from the very beginning. Of course, one could look at the brand with caution, as it was entering an industry that loves a good new story on the one hand, but remains deeply conservative and distrustful on the other. When somebody appears on that scene with an original tube amplifier, many music lovers inevitably ask whether it really makes sense. Is this merely another attempt to offer something that looks familiar, glows in the dark and is meant to lure customers with promises of magical sound, without necessarily being backed up by a mature design?

When Fezz Audio, then a small, unknown domestic manufacturer, unveiled its first amplifier ten years ago, very few people believed it stood a chance. Yes, the company was connected to a respected producer of transformers used by prestigious audio brands, but as its own label it simply did not exist in the consciousness of audiophiles. At launch, Fezz brought only a single product to market. It was not a compact digital-to-analog converter, not a lavishly equipped solid-state integrated, but a modest tube integrated that, from the customer's perspective, distinguished itself mainly with its reasonable price and a handful of available color finishes. How was this oddity ever supposed to shake up the tightly sealed hi-fi world? And yet, within just a few months, Silver Luna was on everyone's lips. Reviewers and music lovers quickly took to it, drawn by its honest, fully tube-based sound and its raw, minimalist, slightly industrial styling. It was a straightforward, sensible piece of gear with no gimmicks, no cosmetic frills, no wooden ornaments - just engineering focused on doing one job well. It turned out you really could build tube amplifiers in Europe that didn't cost as much as a new car.

Joining the 200 Series launched earlier this year, the New Classic 300 Series elements combine perfectly to create a truly bespoke, high-quality system. Featuring cutting-edge innovation, sleek style and Designed and developed by Naim engineers in exceptional sound quality, the 300 Series products England, the New Classic products are at the forefront of innovation and technology, dedicated to the pursuit of incredible sound.