Displaying items by tag: dac - StereoLife Magazine

Companies making audio equipment can be divided into those big ones, which produce relatively considerable amounts of generally likeable equipment and smaller ones - usually very specialized workshops whose products are often more original, distinctive and individual. Those smaller factories are the ones who create advanced amplifiers in individualized enclosures, speakers using extraordinary drivers or turntables shaped like works of art. Inventions like that are made for the music enthusiasts and connoisseurs. They are not mass-produced in giant factories. These items are made for those who generally appreciate such a sophisticated equipment, and sometimes they are personalized just for one client, who ordered speakers in a specific colour or with some modifications applied just in this one instance. Eryk S Concept is one of these manufacturers. Here, every device is unconventional, and almost every element of an amplifier or speaker deserves our attention. Is the new Red King Premium going to sound as well as it looks?

Just as we were finishing the review of two DACs by Chord Electronics, we had an opportunity to meet the founder of the company and ask him some questions about the technology used in the latest devices and his idea of a perfect sound reproduction so to speak. John Franks is not a musician or self-taught electronical engineer as it often happens, but an avionics engineer who knows his trade very well. This job and everything that goes with it, has been translated into the world of high-end audio equipment. The company was founded in 1989 and since then it has been associated with technical innovation and brilliant design. Chord's sources and amplifiers are not only intriguing to look at, but also full of stuff you won't find anywhere else.

Mission, B&W, KEF, Castle, Celestion, Rogers, NAD, Acoustic Energy, Naim, Spendor, Harbeth or ProAc are only a few companies whose names all audiophiles should associate with what might be called the British school of sound. Absolutely, this does not mean that the products of all these brands sound the same. You can distinguish here, at least, a couple of trends, but there is no denying that in this part of the world a lot of audiophile legends were created. Recently, another British company reminded us about itself. So far Chord Electronics were mainly engaged in hi-end gear for home use, but thanks to a small, functional headphone DAC everyone heard about it. This DAC was of course the Hugo. Hugo TT is its bigger brother - a typical desktop model, with an expanded functionality. Since we didn't have a chance to review any of them, we took both and decided to compare them.

When the D/A converters conquered the market, some saw it only as evolutionary dead end. For traditionalists, a DAC could only be a part of a CD player. However, people who ten years ago saw the future in combining the hi-fi with music files stored on a computer, were also not convinced that DACs are a final solution. Some time later, the servers playing music from built-in hard drive or external memory sticks were born, and then the first streamers appeared. Today, the situation is quite predictable. DACs are on the rise - they are better, bigger and more advanced. Hegel is one of the companies that knows the world of DACs very well. The Norwegians produced them when the market was not so big, and since then they have been constantly developing their products in this segment. I had a chance to review most of them - the HD2, HD11, HD 12, HD20 and HD25. Now the company has decided to reach even further with the new flagship model - the HD30.

The name Lumin should be familiar for audiophiles and music lovers. While the company started its business not so long ago (the first product was launched in 2012), it quickly gained the worldwide brand recognition. The beginnings of Lumin were controversial because the first streamer was very similar to another product in this category, manufactured by Linn. However, it soon became clear that despite some external similarities, Lumin is a completely different device in terms of sound and its possibilities. From the very beginning Lumin's streamer had the ability to play DSD files and music from USB drives connected directly to it. These options weren't offered by the competition.

PS Audio is an American company, specialising mainly in the production of the high-end power components and accessories. Especially its regenerating power stations enjoy good reputation. They convert energy from the wall socket to the DC, and then rebuild it as an ideal sine wave, thus creating a perfect electricity to supply the best audio devices, which are extremely sensitive to power quality, such as analogue and digital sources or preamplifiers. A few years ago a completely new series of components appeared in the catalogue - things like digital-to-analog converters and phono preamplifiers. Here the Americans focused on modern functionality and sound quality, so that this line has grown to five devices and two extra boards. Some time ago we saw an information about the planned launch of an integrated amplifier equipped with a full DAC, phono stage for MM cartridges, headphoneoutput and Bluetooth connectivity - all in an elegant, modern box and at an extremely attractive price.

Until recently Denon's catalog centered on devices almost exclusively dedicated to usage in stereo and home cinema systems - amplifiers, players, streamers and micro-systems. The offering was supplemented with accessories and a wide range of headphones, very interesting headphones, we have to say. However the increasing trend pushing many sectors towards mobile devices caused also a change in the catalogue of this Japanese company, causing an avalanche of propositions with different purpose. So last year we saw a few novelties, like the CEOL series of systems, the Envaya speaker looking like a lady's purse, the elegantly sleek soundbar DHT-T110 or the HEOS wireless speakers. But Denon seems not to be stopping there, as they recently presented their first DAC/headphone amplifier. This device is not only small, but also looks splendidly placed on a desktop.

Marantz is a company which managed to successfully penetrate the area of home cinema, receivers and modern streamers while preserving audiophile roots and an aura of exclusivity at the same time. It seems that they've found a recipe how to balance between the world of modern technologies and this what is proved, classic and desired by the lovers of high-quality sound. If you are interested in the gear from previous ages, and if you like internet profiles with vintage audio, you have surely seen loads of Marantz's equipment there - beautiful amplifiers, tuners with backlit scales and oscilloscopes, CD players with massive trays and advanced optics, all in metal, wood and glass. No wonder that in times of omnipresent plastic a retro fashion came back, bringing stereo equipment to where it should be.

In our reviews we often describe the latest products of well-known brands, and so they are eye-catching devices, regardless of their functionality and price range. This time we decided to test something very rare - a tube headphone amplifier made in Greece. Although Lab12 is quite successful and presents its products at international exhibitions, the company is pretty much unknown in the audiophile world. On the web there were just a few coverages, and one review written by Matej Isak from the Mono and Stereo magazine with whom we collaborate. The company is situated in Athens, and beyond the home market its products are distributed in four European countries. They are Hungary, Norway, Switzerland and Poland. In the catalogue we find a power cord and five boxes for different uses - preamplifier, DAC, power amplifier, headphone amplifier and a passive preamp with source selector. All combine classic design and valves - even the DAC output stage is built around the tubes.

The largest exhibition of audio equipment in Europe is behind us so we are getting back to normal operation. Before this happens, we wrote a small summary of the whole event. The form of our reports is forced by the size of the exhibition. Even before exploring the MOC halls we came to the conclusion that it's impossible to see it all, but we tried nevertheless. We could of course focus on ten, twenty or thirty rooms with the most anticipated new stuff or just the most expensive equipment, but what kind of report would it be, if you have hundreds or thousands of companies and you only pick a few dozens? So we hope that our gallery at least allows you to catch the climate of High End and see some interesting devices. For now all the photos have been posted, also on our profile on Instagram. If you are interested in our impressions of the exhibition, if you were out there somewhere or you want to go to Munich next year, we hope it would be an interesting lecture.