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Triangle Electroacoustique is one of the oldest French loudspeaker manufacturers. Although the latest anniversary models, still available for sale, were introduced on the occasion of the company's fortieth birthday, at this point we are already halfway to another round anniversary (Renaud de Vergnette founded Triangle in 1980). We all know the story - the music lover and hi-fi equipment enthusiast thought that the speakers available on the market didn't perform as well as they could, so he set himself the goal of creating speakers delivering a clean, dynamic, and natural sound. Many audiophiles can also point out several elements characteristic of the brand's sets. Paper midrange drivers, horn tweeters, high efficiency, an interesting anti-vibration system with a large spike, and extravagant finishes. I can list these features from memory after reviewing the Comète 40th Anniversary Edition, Magellan Cello 40th, Borea Active BR02 BT or the Capella wireless monitors. However, no single product will tell us about the company's history, philosophy, and plans, so I decided to talk to Elodie Deveau, Triangle's Sales Manager.

Manufacturers of hi-fi equipment like to brag about their peak performance, but in any company's product lineup, the key role is played by the models that simply sell best. They are the ones that provide funds for further development and indicate what ideas appeal most to customers. Recently, Pylon Audio has been working hard on high-end loudspeakers. Over the past few years, the Polish manufacturer's catalog has included speakers from the Jasper series, including six models, the powerful Amber mkIIs, the old-school Jade 20s, which just got a bigger brother, and the Emeralds 25s. However, diamonds dominate the sales statistics, and I'm not surprised at all. The models in this series offer everything music lovers seek - a discreet and modest design, high-quality craftsmanship, versatile sound, seamless compatibility with a wide range of electronics, a rich variety of color options, and an affordable price. It may not be a piece of equipment that relies on exceptional technical solutions and surprises its owner daily, but it is hard to identify any clear drawbacks. If only we do not save too much on electronics and choose a model that fits the size and acoustics of our listening room, we will get speakers that can do everything. Will the new generation of the Diamond series continue the story? For this to happen, the Polish designers had to meet only one condition - not to spoil anything. And they claim to have even improved this and that. Is it true?

Whenever I grumble about the fragmentation of the audio equipment market, which translates into a huge variety of equipment available in stores, but also problems for customers to sort it all out in their heads and make a choice, I get a press release about new speakers, amplifier, or wireless headphones. If only these were brands whose existence I was aware of, whose products caught my eye while browsing magazines or reports from exhibitions, but this is not always the case. Later it turns out that we are not at all dealing with a small factory founded by enthusiastic students, but with a company operating continuously for thirty years, boasting many successes, awards, and, of course, a large group of loyal fans. Such was the case with Lindemann.

Although Poland's most famous loudspeaker manufacturer started with budget speakers, its current catalog is dominated by mid- and high-end designs. The top position is occupied by the beautiful Jaspers, available in both passive and active versions. Then we have three series consisting of a single model - Amber, Jade, and Emerald. The bottom four is made up of the Ruby, Sapphire, Opal, and Pearl series. Right in the middle there's a series that has become a real market hit, combining minimalist design, high-quality workmanship, a rich color palette, and natural, balanced, and universal sound. The Diamonds were Pylon's flagships at the time of their launch. I remember how the bosses of the Jarocin-based manufacturer, still unsure of the rightness of their decision, wondered whether such loudspeakers would appeal to customers. Today, the company could probably produce only this series and would easily balance the books (especially considering that Pylon Audio is not only a manufacturer of equipment sold under its own brand but also a supplier of cabinets for leading foreign brands). However, since there was an opportunity to improve them, it was a shame not to take it. This is how the Diamonds mkII were born. To see what's what, I decided to review my favorite model from this series - the "twenty-fives".

The new 5000 stereo and home cinema loudspeaker series from Q Acoustics redefines how a speaker can look and sound. Showcasing genuine advancement in driver design, the introduction of the leading-edge C3 Continuous Curved Cone profile in the mid/bass driver elevates the 5000 series beyond its class and will form a technical platform for years to come. The series also inherits innovative cabinet and driver technology from the company's flagship Concept range for an exceptional sonic performance. The 5000 series brings sophistication to any listening room with its contemporary and minimalist design lines.

It's not surprising that more and more people are interested in hi-fi equipment that is luxurious, beautiful, and offers excellent performance, but at the same time is as simple to use as a network speaker. Some audiophiles believe that increasing the comfort of our music experience automatically reduces the sound quality. If we have a pile of sources and amplifiers connected with expensive cables, if our living room has been transformed into an anechoic chamber, if before each listening session, we carry out an elaborate procedure of warming up the system while checking the humidity of the air and the voltage in the socket, we deserve great sound, and if we buy easy-to-use active loudspeakers, we don't. Is it true? Manufacturers of audio electronics have already discovered that it can all be simplified. Almost every new all-in-one system is an instant sales hit because all you have to do is add a pair of decent speakers and your home stereo is ready. But what if you could go one step further and eliminate the need to buy any electronics? This mission has already been undertaken by many companies, as the idea itself is not new or revolutionary. However, it has usually involved rebuilding budget boxes so that, with additional electronics inside, they don't cost a fortune. The result was cheap speakers powered by poor electronics, meaning lots of compromises and a sound far from ideal. Now Pylon Audio introduced its first series of wireless speakers. And it has done it quite differently.

Among lovers of audio equipment, there is no shortage of people who believe that the greatest improvement of sound quality can be achieved by replacing cables, buying a power conditioner, or an anti-vibration rack. Sometimes, however, it's worth coming down to earth and reminding ourselves of the basic rules that govern this world. If we want to build a decent stereo system, we should first choose loudspeakers that match the size and sound of our listening room and then select a suitable amplifier and source. Everything else can be taken care of later, choosing cables and accessories to spice up the effect. Unfortunately, many music lovers trying to buy hi-fi equipment stumble at the first stage, ending up with too large speakers or positioning them so as not to disturb the rest of the household rather than achieve a balanced and spacious sound. It's believed that monitors are the optimal solution, especially in smaller rooms, but are they? In many cases, they have to be placed on stands anyway, so they take up as much space as medium-sized floorstanders. And where's the upside? That we won't experience any problems with a booming bass? Perhaps a better solution would be to buy small floorstanding speakers which, if wisely designed, will offer an equally healthy but a bit more powerful sound? It's a very tempting prospect, only where to find such speakers? One interesting suggestion came from a distributor of Davis Acoustics.

Bowers & Wilkins has long convinced audiophiles that the only way to achieve total listening satisfaction is chasing the original - the sound recorded in the studio. This leads to the obvious conclusion that our home stereo system should be the last element of the chain, which starts with the microphone, and that gaining more at the end means losing less during the whole process. It's hard to argue with that. And while it's a bit pointless to compare home electronics with professional equipment, I appreciate any manufacturer who stays true to this straightforward philosophy. While the idea can be explained in a single sentence, putting it into practice is quite complicated. Transport the sound from the recording studio to the home? But, wait a minute, isn't that what almost all the people involved in this subject have been trying to achieve for 145 years (that's exactly how long it's been since the invention of the phonograph)? Yes, but no one can deny that we have made tremendous progress in this field and are still moving forward.

Neat Acoustics has been designing and manufacturing loudspeakers since 1989. The company was founded by Bob Surgeoner, who has devoted most of his life to music, playing primarily blues, rock, jazz, folk, country, and bluegrass. The company's other key employees also work as musicians, which is virtually unheard of in the audio industry. In 2006, Bob was joined by Paul Ryder, who plays guitar in several bands in northern England. Since Paul is also an experienced sound engineer, the company set up its own recording studio. The professional approach to recordings is also intended to be a benchmark for the sound of the loudspeakers. A variety of musical instruments are on hand at the Neat Acoustics factory, including piano, string organ, harp, double bass, synthesizers, and a wide range of electric and acoustic guitars and other stringed instruments. High-resolution recordings can be played back instantly in the listening room. Bob and his team let music rule the tuning and sound of its speakers to the exclusion of almost all other criteria. All aspects of the design are evaluated empirically. This time-consuming, iterative process can take months before a design is considered finished.

When I review new Pylon Audio speakers, the same word usually comes to mind - progress. First loudspeakers available in high-gloss and mat lacquers, the first proprietary drivers, first cabinets manufactured for well-known foreign brands... Enumerating the next milestones and delighting in the technical, qualitative, and business successes of the Polish company, however, doesn't interest me as much as in what direction its offerings are heading and what value its new models will represent. Here, too, one can observe stable, thoughtful development driven by rising customer expectations and investments in machinery. Over the past few years, many speaker series has expanded to include the most majestic three-way models, and new designs from the excellent Ruby line have been introduced, but we had to wait a very, very long time for the next price and quality barrier to be overcome. Finally, Pylon Audio introduced the powerful Amber floorstanders, now available in mkII version. The new flagship should generate huge excitement, but such gigantic speakers are not for everyone and will not play well in any room. However, we have known for a long time that Pylon Audio is working on a series of loudspeakers that is a development of the concept known from the Diamonds and Emeralds. And we finally got it. The Jasper series now includes sleek monitors and two floorstanding models, including one already available in the mkII version. But, for many reasons, I decided to try the smaller Jasper 23 floorstanders.