Displaying items by tag: digital - StereoLife Magazine

The compact disc may no longer dominate the music market, but it has never really disappeared from serious hi-fi systems. Revox is now responding to that renewed interest with the Studiomaster CD100, a compact high-end CD player designed primarily for the company's Studiomaster M500 and M300 systems, as well as integration with Revox Multiuser 3.0. The model is small by traditional hi-fi standards, measuring only 200 mm wide, but it is not a lightweight accessory. Revox presents it as a dedicated player developed specifically for CD playback, with plug-and-play system integration, a Burr-Brown DAC and both analog and digital outputs.

Topping has built much of its reputation on DACs and headphone amplifiers that combine ambitious engineering with unusually strong measured performance. The DX9 Discrete takes that formula into a more premium and more distinctive direction. It is a fully balanced DAC, preamplifier and headphone amplifier in one compact chassis, but its main point of interest is not the number of functions it combines. The real story is the conversion architecture. Instead of relying on an off-the-shelf DAC chip, Topping has used its own discrete 1-bit PSRM technology, bringing one of the company's most advanced digital designs into an all-in-one component for headphones, active speakers and conventional hi-fi systems.

Pro-Ject's smallest components have always had a practical mission - to add a specific hi-fi function without forcing the user to rebuild the whole system around it. The Stream Box E follows that logic in the streaming era. It is an entry-level multi-room streamer and preamplifier designed to bring network playback, app control, wireless multi-room functions and analog integration to existing amplifiers, power amps or active speakers, all in a compact metal enclosure. The Stream Box E continues Pro-Ject's long-running Micro Hi-Fi tradition, which began in the 1990s with compact components intended to deliver proper hi-fi performance without the size, complexity or cost of full-width equipment. In this case, the idea is not to create another large streamer for an already elaborate system, but to offer a small and affordable device that can modernize an older amplifier, form the control center of a minimalist setup or add streaming functionality to active loudspeakers.

Matrix Audio continues to develop its M Series, the company's most advanced line of digital sources, but its latest model is not simply another product aimed only at users looking for a full, no-compromise flagship. The MS-1c is intended as a more accessible entry point into this family, retaining many of the solutions known from the MS-1, but presenting them in the form of a network player that can work both as a standalone analog source and as a digital transport for an external DAC. In practice, this makes it a device for listeners who want to build a modern system based on streaming, a local file library and high-quality digital-to-analog conversion, but do not necessarily need the most elaborate model in the catalog. "The MS-1c is a response to the needs of audiophiles who are looking for the highest-quality digital source, but also value simplicity and functionality. Inheriting solutions from our flagship MS-1, the MS-1c offers the same level of precision and musicality while remaining a more accessible solution for those building their dream hi-fi system." - said Cao Yang, CEO of Matrix Audio.

Schiit Audio has introduced the Eitr 2, a compact digital-to-digital converter designed to improve signal integrity when using computers, tablets, or smartphones as audio sources in high-performance playback systems. Building on the concept of the original Eitr released in 2017, the new version expands connectivity with AES/EBU output, introduces support for the company's Forkbeard control platform, and replaces the earlier USB interface with Schiit's proprietary Unison USB architecture. Rather than acting as a conventional converter, the Eitr 2 operates as a signal-conditioning stage between a USB source and an external DAC. Incoming USB audio is reclocked and regenerated before being transmitted through transformer-isolated AES/EBU and coaxial outputs or via optical TOSLINK, with support for PCM signals up to 24-bit/192 kHz. The inclusion of a balanced AES interface is particularly notable at this price level, as it is typically reserved for professional or higher-end consumer equipment.

Musical Fidelity has introduced the M6xi, a new integrated amplifier that updates one of the company's longest-running high-power platforms with expanded digital connectivity and broader system-integration capabilities while preserving the core analog architecture that defined the earlier M6si. Rather than replacing the established concept behind the M6 series, the new model represents part of Musical Fidelity's wider "xi" generation refresh, which brings HDMI ARC, USB-C audio connectivity, and improved installation flexibility across several amplifier lines including the M2, M3, and M5 models.

The moment comes in every audiophile's life. After enough experimenting with speakers, amplifiers, and source components, once the system finally starts sounding genuinely good, a question begins to nag at us - should we be paying more attention to cables? Some people agree completely, arguing that cables are just as much a part of the signal path as an amplifier or speakers. Others laugh the whole idea off and insist that anyone who believes in cable differences simply should have paid more attention in physics class. In truth, there is only one way to find out - try it and decide for yourself. If we hear no difference, there are really only three logical explanations. The first is that our system still is not revealing enough to expose those nuances, or that the cables we borrowed for comparison, despite their prettier plugs and more upscale appearance, are not actually much different from what we already use. The second is that our hearing is not quite as sensitive as we would like to think, and what others describe as a night-and-day transformation is, for us, barely there at all. The third is that cables have no effect on sound whatsoever and serve only to improve the owner's mood and the manufacturer's cash flow.

Quad has expanded its flagship Platina electronics series with the introduction of the Platina CDT, a dedicated CD transport designed to complete the company's current top-tier component lineup alongside the Platina Integrated amplifier and Platina Stream network player. Positioned as the digital transport partner within this range, the new model reflects continued interest in high-quality optical-disc playback among listeners who rely on external DAC stages and want a purpose-built source component engineered specifically for accurate data retrieval rather than integrated conversion.

Mission has expanded its compact 778 Series with the introduction of the 778CDT, a dedicated CD transport designed to complete the lineup alongside the 778X integrated amplifier and the recently announced 778S music streamer. The new model is aimed at listeners who still rely on physical digital media and want a purpose-built transport that can make the most of an external DAC or an amplifier with digital inputs, rather than a conventional all-in-one CD player. In that sense, the 778CDT is not just a matching accessory for the rest of the series, but a sign that Mission sees continued value in CD playback as part of a modern hi-fi system.

Ferrum has introduced the Wandla GoldenSound Edition Gen 2, an updated version of its DAC and preamplifier platform developed in collaboration with GoldenSound. Building on the EISA award-winning Wandla architecture and the earlier GoldenSound Edition variant, the new model focuses on expanded user control over tonal balance, spatial presentation and harmonic character through redesigned versions of three key processing tools - Impact+, Tube Mode and Spatial Enhancement - all refined using Ferrum's Sweet Spot Tuning approach.